Author: Muzio Clementi
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 74
Book Description
6 sonate per clavicembalo o pianoforte op. 1
Musical characteristic per clavicembalo o pianoforte op. 19
Author: Muzio Clementi
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 124
Book Description
3 sonate per clavicembalo o pianoforte op. 7
Keyboard Instruments in Eighteenth-century Vienna
Author: C. R. F. Maunder
Publisher: Oxford University Press
ISBN: 9780198166375
Category : Music
Languages : en
Pages : 298
Book Description
Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers.
Publisher: Oxford University Press
ISBN: 9780198166375
Category : Music
Languages : en
Pages : 298
Book Description
Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers.
Musical characteristics, op. 19, per clavicembalo o pianoforte
Author: Muzio Clementi
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 124
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 124
Book Description
12 sonate per pianoforte
Author: Muzio Clementi
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 112
Book Description
Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum: A-K.- v. 2. L-Z and First supplement
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788
Book Description
Carl Philipp Emanuel Bach Studies
Author: Annette Richards
Publisher: Cambridge University Press
ISBN: 0521836298
Category : Music
Languages : en
Pages : 260
Book Description
A collection of the latest work by distinguished scholars on C. P. E. Bach.
Publisher: Cambridge University Press
ISBN: 0521836298
Category : Music
Languages : en
Pages : 260
Book Description
A collection of the latest work by distinguished scholars on C. P. E. Bach.
Violin and Keyboard: From the seventeenth century to Mozart
Author: Abram Loft
Publisher: Hal Leonard Corporation
ISBN: 9780931340369
Category : Music
Languages : en
Pages : 386
Book Description
This wonderful book is written for musicians seeking to build or extend a sonata repertoire. Analyses are given of both well-known and many lesser-known pieces of music, with recommendations on performance as well as descriptions of difficulties. Many are suitable for student or amateur musicians. This is mainly a book for violinists, though; many of the keyboard parts of these pieces are little more than continuo accompaniment. The second volume, detailing the music of Beethoven onward, contains descriptions of music that puts the keyboardist on more equal footing with the violinist.
Publisher: Hal Leonard Corporation
ISBN: 9780931340369
Category : Music
Languages : en
Pages : 386
Book Description
This wonderful book is written for musicians seeking to build or extend a sonata repertoire. Analyses are given of both well-known and many lesser-known pieces of music, with recommendations on performance as well as descriptions of difficulties. Many are suitable for student or amateur musicians. This is mainly a book for violinists, though; many of the keyboard parts of these pieces are little more than continuo accompaniment. The second volume, detailing the music of Beethoven onward, contains descriptions of music that puts the keyboardist on more equal footing with the violinist.
German Music Criticism in the Late Eighteenth Century
Author: Mary Sue Morrow
Publisher: Cambridge University Press
ISBN: 052158227X
Category : Music
Languages : en
Pages : 271
Book Description
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
Publisher: Cambridge University Press
ISBN: 052158227X
Category : Music
Languages : en
Pages : 271
Book Description
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.