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Author: Shubhra Gupta Publisher: Harper Collins ISBN: 9351778487 Category : Performing Arts Languages : en Pages : 296
Book Description
Hindi cinema was trapped in formulaic cliches for decades: lost-and-found themes, sacrificing mothers, brothers on opposite sides of the law, villains lording over their dens, colourful molls, six songs, the use of rape as a plot pivot, and cops who always arrived too late. It hit an all-time low in the 1980s. Then, in 1991, came liberalization, and a wave of openness and aspiration swept across urban India. Dilwale Dulhania Le Jayenge was released in 1995 - and Hindi cinema became Bollywood. A new crop of film-makers began to challenge and break away from established rules. Over the next twenty years, a number of Hindi films consistently pushed the envelope in terms of content and technique to create a new kind of cinema. Among other innovations, film-makers came up with ways of crowd funding a film (Ankhon Dekhi), did away with songs if the narrative did not need them (Gangaajal), addressed different sexual preferences (My Brother ... Nikhil) and people with special needs (Black) like no one had ever done before. As film critic with the Indian Express, Shubhra Gupta has stayed the course these twenty years and more and experienced the transition first-hand. In 50 Films That Changed Bollywood, 1995-2015, she looks at the modern classics that have redefined Hindi cinema - from DDLJ and Rangeela to Satya and Dev D to Queen and Bajrangi Bhaijaan. Gupta offers a fascinating glimpse into how these films spoke to their viewers and how the viewers reacted to them - and, ultimately, how they changed us and how we changed them.
Author: Shubhra Gupta Publisher: Harper Collins ISBN: 9351778487 Category : Performing Arts Languages : en Pages : 296
Book Description
Hindi cinema was trapped in formulaic cliches for decades: lost-and-found themes, sacrificing mothers, brothers on opposite sides of the law, villains lording over their dens, colourful molls, six songs, the use of rape as a plot pivot, and cops who always arrived too late. It hit an all-time low in the 1980s. Then, in 1991, came liberalization, and a wave of openness and aspiration swept across urban India. Dilwale Dulhania Le Jayenge was released in 1995 - and Hindi cinema became Bollywood. A new crop of film-makers began to challenge and break away from established rules. Over the next twenty years, a number of Hindi films consistently pushed the envelope in terms of content and technique to create a new kind of cinema. Among other innovations, film-makers came up with ways of crowd funding a film (Ankhon Dekhi), did away with songs if the narrative did not need them (Gangaajal), addressed different sexual preferences (My Brother ... Nikhil) and people with special needs (Black) like no one had ever done before. As film critic with the Indian Express, Shubhra Gupta has stayed the course these twenty years and more and experienced the transition first-hand. In 50 Films That Changed Bollywood, 1995-2015, she looks at the modern classics that have redefined Hindi cinema - from DDLJ and Rangeela to Satya and Dev D to Queen and Bajrangi Bhaijaan. Gupta offers a fascinating glimpse into how these films spoke to their viewers and how the viewers reacted to them - and, ultimately, how they changed us and how we changed them.
Author: Neelam Sidhar Wright Publisher: Edinburgh University Press ISBN: 0748696350 Category : Performing Arts Languages : en Pages : 224
Book Description
Applying postmodern concepts and locating postmodern motifs in key commercial Hindi films, this innovative study reveals how Indian cinema has changed in the 21st century.
Author: Publisher: Penguin Books India ISBN: 9780143032441 Category : Hindu literature Languages : en Pages : 446
Book Description
The Penguin Book of New Writing from India 2005 An anthology of new writing and new writers, and established writers writing in a new genre-First Proofshowcases original and brilliant non-fiction and fiction. The collection includes works in progress, essays, short stories, and a graphic short. Among the nonfiction in this volume is an account of a childhood in boarding school, a portrait of Naipaul on his first visit to India in the 60s, reportage on Sri Lanka, the RSS, a don in Bihar, an essay on the Bollywood vamp, and glimpses of Kashmir. Fiction includes themes of incest, suicide, love, lust, familial bonds, human relationships, loneliness, dysfunctional people, and a graphic vignette with London as a backdrop.
Author: Balaji Vittal Publisher: Harper Collins ISBN: 9351364577 Category : Music Languages : en Pages : 259
Book Description
Look behind the scenes of fifty celebrated songs, from an estimated repository of over one lakh!'De de khuda ke naam pe': when Wazir Mohammed Khan sang these words in India's first talkie, Alam Ara, he gave birth to a whole new industry of composers, lyricists and singers, as well as an entirely new genre of film-making that is quintessentially Indian: the song-and-dance film. In the eight decades and more since then, Hindi film songs have enraptured listeners all over the world. From 'Babul mora, naihar chhooto jaye' (Street Singer, 1938) to 'Dil hai chhota sa' (Roja, 1992); from the classical strains of 'Ketaki gulab' (Basant Bahar, 1956) featuring Bhimsen Joshi to the disco beats of Nazia Hassan's 'Aap jaisa koi' (Qurbani, 1981); from the pathos of 'Waqt ne kiya' (Kaagaz Ke Phool, 1959) to the exuberance of the back-to-back numbers in Hum Kisise Kum Naheen (1977), here is an extraordinary compilation, peppered with trivia, anecdotes and, of course, the sheer joy of music. Find out answers to questions like:With which unreleased film did Kishore Kumar turn composer?In which song picturization was dry ice first used?Which all-time classic musical was initially titled Full Boots?Where was the title song of An Evening in Paris shot?The idea for which song originated when the film-maker visited Tiffany's in London?Which major musical partnership resulted from the celebrations around an award function for a commercial jingle for Leo Coffee? How many of your favourites find mention here? Make your own list!
Author: Jai Arjun Singh Publisher: HarperCollins ISBN: 9789350290224 Category : Performing Arts Languages : en Pages : 300
Book Description
In the 1980s, an unheralded Hindi movie, made on a budget of less than Rs 7 lakh, went from a quiet showing at the box office to developing a reputation as India's definitive black comedy. Some of the country's finest theatre and film talents - all at key stages in their careers - participated in its creation, but the journey was anything but smooth. Among other things, it involved bumping off disco killers and talking gorillas, finding air-conditioned rooms for dead rats, persuading a respected actor to stop sulking and eat his meals, and resisting the temptation to introduce logic into a madcap script. In the end, it was worth it. Kundan Shah's Jaane Bhi Do Yaaro is now a byword for the sort of absurdist, satirical humours that Hindi cinema just hasn't seen enough of. This is the story of how it came to be despite incredible odds - and what it might have been. Jai Arjun Singh's take on the making of the film and its cult following is as entertaining as the film itself.
Author: Vamsee Juluri Publisher: Penguin UK ISBN: 9351181987 Category : Performing Arts Languages : en Pages : 220
Book Description
Bollywood Nation charts the evolution of Indian cinema from its mythological films in the early 20th century to its world-class gangster and terrorist melodramas of today. In doing so, the book investigates why and how our films have become so deeply embedded in the nation’s popular imagination. Is it merely that cinema is the only common form of mass national culture in a country that does not have either a common language or a common religion—or is it entwined with greater social, cultural and spiritual aspirations? By narrating the story of India through the stories that our films tell us, Vamsee Juluri posits cinema as the voice of the nation and examines how it has shaped our understanding of our place in the world.
Author: Anupama Chopra Publisher: Bloomsbury Publishing ISBN: 1838715304 Category : Performing Arts Languages : en Pages : 119
Book Description
Dilwale Dulhaniya Le Jayenge ('The Brave-hearted Will Take the Bride'), universally known as DDLJ, opened to huge popular acclaim in India in 1995. This work points out that it is a paradoxical film which affirms old-fashioned values of pre-marital chastity and family authority, affirming the idea that Westernization need not affect an essential Indian identity.
Author: Deepa Gahlot Publisher: Hay House, Inc ISBN: 938454485X Category : Performing Arts Languages : en Pages : 314
Book Description
An essential resource for scholars, connoisseurs and serious fans of Indian cinema, Take-2 makes for an entertaining, informative and nostalgia-filled read In the last few years there has been a glut of books on Indian cinema but most of them focus on the life and times of famous stars or celebrate popular film classics. Even though information and film trivia are now easier to access than ever before, some films have completely disappeared with not even a single print available due to reasons both tragic and strange. Also lost in time are some filmmakers and actors who once added their bit to the history of Indian cinema but have now simply vanished from our collective memory. In Take-2, Deepa Gahlot reacquaints or introduces us to 50 films (and many artistes) that merit our attention. While some on this list were chosen because they were the first Indian films of their kind, or were obscure films by well-known directors, others deserve mention because they were by creative talents whose contribution to Hindi cinema has been overlooked. Gahlot’s mission to rescue and preserve these forgotten gems should inspire us to go back and take another look.
Author: Shubhra Gupta
Author: Shubhra Gupta
Author: Wikipedia contributors
Author: Neelam Sidhar Wright
Author: 
Author: Balaji Vittal
Author: Wikipedia contributors
Author: Jai Arjun Singh
Author: Vamsee Juluri
Author: Anupama Chopra
Author: Deepa Gahlot