Bibliographic Guide to Music PDF Download

Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1072

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Author: Esperanza Rodríguez García
Publisher:
ISBN: 9781138207103
Category : Church music
Languages : en
Pages : 287

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Book Description
The motet in the post-tridentine world : an introduction / Esperanza Rodríguez-García & Daniele V. Filippi -- Proper to the day : calendrical ordering in post-tridentine motet books / David Crook -- Vespers antiphons, motets and the performance of the post-tridentine liturgy / Jeffrey Kurtzman -- Motets and the liturgy for the dead in Italy : text typologies and contexts of performance / Antonio Chemotti -- Motets pro defunctis in the Iberian world : performance contexts and practices / Owen Rees -- Palestrina's mid-life compositional summary : the three motet books of 1569-75 / Noel O'Regan -- Modality as orthodoxy and exegesis : strategies of tonal organisation in Victoria's motets / Marco Mangani and Daniele Sabaino -- Beyond the denominational paradigm : the motet as confessional(ising) practice in the later sixteenth century / Christian Thomas Leitmeir -- In search of the English motet / Kerry McCarthy -- Songs without words : the motet as solo instrumental music after Trent / John Griffiths -- The soundtrack for a miracle and other stories of the motet from post-tridentine Milan / Daniele V. Filippi -- Mapping the motet in post-tridentine Seville and Granada : repertoire, meanings, and functions / Juan Ruiz Jiménez

Author: Susan Rankin
Publisher: Cambridge University Press
ISBN: 1108381782
Category : Music
Languages : en
Pages : 429

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Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.

Author: Kevin R. Brine
Publisher: Open Book Publishers
ISBN: 1906924155
Category : Religion
Languages : en
Pages : 511

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The Book of Judith tells the story of a fictitious Jewish woman beheading the general of the most powerful imaginable army to free her people. The parabolic story was set as an example of how God will help the righteous. Judith's heroic action not only became a validating charter myth of Judaism itself but has also been appropriated by many Christian and secular groupings, and has been an inspiration for numerous literary texts and works of art. It continues to exercise its power over artists, authors and academics and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. It transforms our understanding across a wide range of disciplines. The collection includes new archival source studies, the translation of unpublished manuscripts, the translation of texts unavailable in English, and Judith images and music.

Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :

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Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.

Author: Helen Deeming
Publisher: Cambridge University Press
ISBN: 1107062632
Category : Language Arts & Disciplines
Languages : en
Pages : 347

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This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.

Author:
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1132

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Author: Paull Franklin Baum
Publisher:
ISBN:
Category : Tales, Medieval
Languages : en
Pages : 22

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Author: Joseph Kerman
Publisher: Univ of California Press
ISBN: 9780520040335
Category : Music
Languages : en
Pages : 362

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In this, the first of a three-volume study of Byrd's complete output, under the general title The Music of William Byrd, the author essays a first full-scale historical and critical assessment of Byrd's sacred music to Latin words - one of the great glories of the Elizabethan Age. Each of the approximately 175 compositions is considered, at least briefly, with fuller appreciation accorded to such masterpieces as Emendemus in Melius, Tristitia et anxietas, Iusorum animae, Ave verum corpus, the lamentations and the three famous masses. There are more than sixty musical examples, some of considerable length. In critical prose that slights neither technicalities nor the intense emotional qualities of his subject matter, the author sheds fresh and often unexpected illumination on Byrd's musical rhetoric and on his powerful, endlessly inventive musical structures. Re-examining the known facts of Byrd's life in relation to the patronage and politics of the time, the author boldly argues that while the impetus behind Byrd's early motets was primarily traditionalist and technical, that behind his Cantiones sacrae motets of the 1580s was essentially political: they were covert laments and protests on behalf of the embattled recusant community.

Author: Katherine Butler (Music tutor)
Publisher: Boydell & Brewer Ltd
ISBN: 1843839814
Category : Biography & Autobiography
Languages : en
Pages : 273

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Book Description
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.