Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : de
Pages : 309
Book Description
47 Mostra internazionale d'arte cinematografica
International Film Festivals
Author: Tricia Jenkins
Publisher: Bloomsbury Publishing
ISBN: 1786724693
Category : Performing Arts
Languages : en
Pages : 287
Book Description
More than 5,000 film festivals take place globally and many of these have only been established in the last two decades. International Film Festivals collects the leading scholarship on this increasingly prominent phenomenon from both historical and contemporary perspectives, using diverse methods including archival research, interviews and surveys and drawing widely from fields like sociology, urban studies and film criticism to patent technology and history. With contributors from across the world and covering the major festivals - Cannes, Venice, Toronto, Berlin - as well as niche, genre and online film festivals, this book is an authoritative and exemplary guide to the evolution of these key sites for film distribution, exhibition and reception. Chapters unravel topics such as the relationship between corporations and festivals, the soft power function they can perform for their host nations and the changing identities of audiences on arrival at, and during exploration of, a given festival venue. Tricia Jenkins' edited volume reconceives the film festival for the global, digital age whilst drawing out its historic importance and ultimately makes a major intervention in film festival studies as well as film and cultural studies more widely.
Publisher: Bloomsbury Publishing
ISBN: 1786724693
Category : Performing Arts
Languages : en
Pages : 287
Book Description
More than 5,000 film festivals take place globally and many of these have only been established in the last two decades. International Film Festivals collects the leading scholarship on this increasingly prominent phenomenon from both historical and contemporary perspectives, using diverse methods including archival research, interviews and surveys and drawing widely from fields like sociology, urban studies and film criticism to patent technology and history. With contributors from across the world and covering the major festivals - Cannes, Venice, Toronto, Berlin - as well as niche, genre and online film festivals, this book is an authoritative and exemplary guide to the evolution of these key sites for film distribution, exhibition and reception. Chapters unravel topics such as the relationship between corporations and festivals, the soft power function they can perform for their host nations and the changing identities of audiences on arrival at, and during exploration of, a given festival venue. Tricia Jenkins' edited volume reconceives the film festival for the global, digital age whilst drawing out its historic importance and ultimately makes a major intervention in film festival studies as well as film and cultural studies more widely.
60. Mostra internazionale d'arte cinematografica
Author:
Publisher: Mondadori Electa
ISBN:
Category : Performing Arts
Languages : en
Pages : 326
Book Description
Publisher: Mondadori Electa
ISBN:
Category : Performing Arts
Languages : en
Pages : 326
Book Description
59. Mostra internazionale d'arte cinematografica
Author:
Publisher: Il Castoro
ISBN: 9788880332350
Category : Performing Arts
Languages : it
Pages : 392
Book Description
Publisher: Il Castoro
ISBN: 9788880332350
Category : Performing Arts
Languages : it
Pages : 392
Book Description
52. Mostra internazionale d'arte cinematografica
Author: Archivio storico delle arti contemporanee
Publisher:
ISBN: 9788820803940
Category :
Languages : en
Pages : 455
Book Description
Publisher:
ISBN: 9788820803940
Category :
Languages : en
Pages : 455
Book Description
Mostra Internazionale D'arte Cinematografica
Music and the Silent Film
Author: Martin Miller Marks
Publisher: Oxford University Press
ISBN: 0195361636
Category : Music
Languages : en
Pages : 320
Book Description
In this book, a leading authority on film music examines scores of the silent film era. The first of three projected volumes investigating music written for films, this thoughtful and pathbreaking study demonstrates the richness of silent film music as it details the way in which scores were often planned from the start as an integral part of the whole cinematic experience. Following an introductory chapter that outlines several key theoretical questions and surveys eight decades of writing on film music, Martin Miller Marks focuses on those scores created between 1895 and 1924. He begins by considering two early examples, one German (written by persons unknown for Skladanowsky's Bioskop exhibitions in 1895 and 1896) and one French (scored by Camille Saint-Saƫns for the 1908 film L'Assassinat du Duc de Guise). Subsequent chapters fully discuss Walter Cleveland Simon's music for the American film An Arabian Tragedy (1912) as well as the Joseph Breil accompaniment to D. W. Griffith's Birth of a Nation (1915). As described in this book, Breil's memorable score--though a compilation derived from many sources--was played by an orchestra as Griffith's sweeping images filled the screen, thus contributing significantly to the great film's success while also achieving remarkable power in its own right. Marks then concludes with a look at Erik Satie's witty and innovative music for the French film Entr'acte (1924), which was the first film score of consequence by an avant-garde composer. Giving unprecedented attention to a vibrant, important, and oft-neglected facet of twentieth-century music, Music and the Silent Film will interest scholars of film theory, film history, modern music, and modern aesthetics.
Publisher: Oxford University Press
ISBN: 0195361636
Category : Music
Languages : en
Pages : 320
Book Description
In this book, a leading authority on film music examines scores of the silent film era. The first of three projected volumes investigating music written for films, this thoughtful and pathbreaking study demonstrates the richness of silent film music as it details the way in which scores were often planned from the start as an integral part of the whole cinematic experience. Following an introductory chapter that outlines several key theoretical questions and surveys eight decades of writing on film music, Martin Miller Marks focuses on those scores created between 1895 and 1924. He begins by considering two early examples, one German (written by persons unknown for Skladanowsky's Bioskop exhibitions in 1895 and 1896) and one French (scored by Camille Saint-Saƫns for the 1908 film L'Assassinat du Duc de Guise). Subsequent chapters fully discuss Walter Cleveland Simon's music for the American film An Arabian Tragedy (1912) as well as the Joseph Breil accompaniment to D. W. Griffith's Birth of a Nation (1915). As described in this book, Breil's memorable score--though a compilation derived from many sources--was played by an orchestra as Griffith's sweeping images filled the screen, thus contributing significantly to the great film's success while also achieving remarkable power in its own right. Marks then concludes with a look at Erik Satie's witty and innovative music for the French film Entr'acte (1924), which was the first film score of consequence by an avant-garde composer. Giving unprecedented attention to a vibrant, important, and oft-neglected facet of twentieth-century music, Music and the Silent Film will interest scholars of film theory, film history, modern music, and modern aesthetics.
The Hollywood Reporter
Author:
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 790
Book Description
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 790
Book Description
70. Mostra internazionale d'arte cinematografica
30. Mostra internazionale d'arte cinematografica
Author: Mostra Internazionale d'Arte Cinematografica
Publisher:
ISBN:
Category :
Languages : it
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages :
Book Description