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Author: Jane D. Hatter Publisher: Cambridge University Press ISBN: 1108628834 Category : Music Languages : en Pages :
Book Description
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Author: Jane D. Hatter Publisher: Cambridge University Press ISBN: 1108628834 Category : Music Languages : en Pages :
Book Description
When we sing lines in which a fifteenth-century musician uses ethereal polyphony to complain mundanely about money or hoarseness, more than half a millennium melts away. Equally intriguing are moments in which we experience solmization puns. These familiar worries and surprising jests break down temporal distances, humanizing the lives and endeavors of our musical forebears. Yet many instances of self-reference occur within otherwise serious pieces. Are these simply in-jokes, or are there more meaningful messages we risk neglecting if we dismiss them as comic relief? Music historian Jane D. Hatter takes seriously the pervasiveness of these features. Divided into two sections, this study considers pieces with self-referential features in the texts separately from discussions of pieces based on musical self-referential elements. Examining connections between self-referential repertoire from the years 1450–1530 and similar self-referential creations for painters' guilds, reveals musicians' agency in forming the first communities of early modern composers.
Author: Katelijne Schiltz Publisher: Cambridge University Press ISBN: 1316299899 Category : Music Languages : en Pages : 550
Book Description
Throughout the Renaissance, composers often expressed themselves in a language of riddles and puzzles, which they embedded within the music and lyrics of their compositions. This is the first book on the theory, practice and cultural context of musical riddles during the period. Katelijne Schiltz focuses on the compositional, notational, practical, social and theoretical aspects of musical riddle culture c.1450–1620, from the works of Antoine Busnoys, Jacob Obrecht and Josquin des Prez to Lodovico Zacconi's manuscript collection of Canoni musicali. Schiltz reveals how the riddle both invites and resists interpretation, the ways in which riddles imply a process of transformation and the consequences of these aspects for the riddle's conception, performance and reception. Lavishly illustrated and including a comprehensive catalogue by Bonnie J. Blackburn of enigmatic inscriptions, this book will be of interest to scholars of music, literature, art history, theology and the history of ideas.
Author: Owen Rees Publisher: Cambridge University Press ISBN: 1107054427 Category : History Languages : en Pages : 277
Book Description
The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Author: Dante Alighieri Publisher: CreateSpace ISBN: 9781496017345 Category : Fiction Languages : en Pages : 236
Book Description
Most English translations of INFERNO are full of colorful, but meaningless language based on today's modern standards. Some translations are so elaborate that they are as difficult to read as the original Italian version. This translation uses the Longfellow translation as a base, but replaces the obscure or antiquated verbiage with the language of Modern English. This translation could easily be read and understood by today's reader. Adding the illustrations by Gustave Dore brings this classic work to life.
Author: Dante Alighieri Publisher: BookCaps Study Guides ISBN: 1621074919 Category : Fiction Languages : en Pages : 881
Book Description
Taking a literary journey through hell certainly sounds intriguing enough--and it is! If you can understand it! If you don't understand it, then you are not alone. If you have struggled in the past reading the ancient classic, then BookCaps can help you out. This book is a modern translation with a fresh spin. The original text is also presented in the book, along with a comparable version of the modern text. We all need refreshers every now and then. Whether you are a student trying to cram for that big final, or someone just trying to understand a book more, BookCaps can help. We are a small, but growing company, and are adding titles every month.
Author: William J. Landon Publisher: Peter Lang ISBN: 9780820472751 Category : History Languages : en Pages : 320
Book Description
Niccolò Machiavelli may not have been a cynical realist as he is often portrayed. On the contrary, this book argues that he precociously possessed the characteristics of an impassioned, sometimes misguided idealist, obsessed with the idea of Italian unification, but blinded to the practicalities of attaining that goal. William J. Landon suggests that these characteristics may help to explain his appeal to Italy's «Risorgimento» founders. This interdisciplinary volume, which also contains the first translation of a «Discourse or Dialogue Concerning our Language» since 1961, works well as a core text, or as a complement to courses in Renaissance history, literature or political science.
Author: Timothy R. McKinney Publisher: Routledge ISBN: 1317185315 Category : Music Languages : en Pages : 365
Book Description
In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This "theory of interval affect" originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations "major" and "minor" no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of "majorness" or "minorness" that could be manipulated for expressive purposes. This book engages with the madrigals of Willaert's landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaert's theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.
Author: Ronnie Ferguson Publisher: Librarie Droz ISBN: Category : Foreign Language Study Languages : en Pages : 344
Book Description
This is the first comprehensive study of the history, status and structures, past and present, of Venetian. It provides a full, contextualised account, using detailed linguistic and historical data, of the emergence of Venetian in the medieval period, of its evolving status as a written as well as spoken medium within the Republic of Venice and of its enduring prestige as a spoken 'dialect' in an Italy rapidly moving towards monolingualism.English text.--Publisher website.
Author: Jane D. Hatter
Author: Jane D. Hatter
Author: Katelijne Schiltz
Author: Owen Rees
Author: Dante Alighieri
Author: Dante Alighieri
Author: Alfred Einstein
Author: William J. Landon
Author: Timothy R. McKinney
Author: Julie E. Cumming
Author: Ronnie Ferguson