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Author: Simone O’Malley-Sutton Publisher: Springer Nature ISBN: 9819952697 Category : Literary Criticism Languages : en Pages : 444
Book Description
This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.
Author: Simone O’Malley-Sutton Publisher: Springer Nature ISBN: 9819952697 Category : Literary Criticism Languages : en Pages : 444
Book Description
This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.
Author: Muhammad Wolfgang G. A. Schmidt Publisher: disserta Verlag ISBN: 3959354401 Category : Foreign Language Study Languages : en Pages : 683
Book Description
This Grammar on Literary Chinese by Ma Jianzhong (1845–1900) was the first of its kind ever to be written by a native Chinese on Chinese and was published in 1898. It came at a time when Imperial China was in decline not only by loss of her sovereignty to the then Western colonial powers and when there was a strong feeling of insecurity about the relevance of ancient native Chinese culture in a modern world and its continued existence under the rising pressure to modernise in order to cope with the West and the rest of the modern world. Chinese Language Planning and Reform for the purpose of creating a national standard language and to spread literacy in all parts of society was seen as an essential part of such a modernisation process. Ma’s work was only a first step in a longer series of research work and language planning and reform projects to follow in the decades after him. This book offers Ma’s original Chinese text with Chinese-English glossaries at the end for Western students and researchers in Chinese Linguistics.
Author: Mayder Dravasa Publisher: Peter Lang ISBN: 9780820468273 Category : Literary Collections Languages : en Pages : 216
Book Description
The Boom is the socio-literary movement that brought the Latin American writers Mario Vargas Llosa, Gabriel García Márquez, Carlos Fuentes, and Julio Cortázar and the Spanish writer Juan Goytisolo to fame during the 1960s. Prior studies of the Boom have essentially focused on the characteristics of the movement in Latin America and have been interested mainly in the originality or literary experimentalism of the Boom, in which these studies mirrored the ideals of the Cuban revolution. This groundbreaking book presents a history of the Boom in Spain as well as in Latin America and critiques the myth of originality of the Boom, which is only conventional inside the parameters of literary modernism. With this new perspective, the Boom appears as a manifestation of literary modernism, which repeats the history of the European avant-gardes of the second decade of the twentieth century.
Author: Steven R. Serafin Publisher: A&C Black ISBN: 9780826417770 Category : Literary Criticism Languages : en Pages : 1340
Book Description
More than ten years in the making, this comprehensive single-volume literary survey is for the student, scholar, and general reader. The Continuum Encyclopedia of American Literature represents a collaborative effort, involving 300 contributors from across the US and Canada. Composed of more than 1,100 signed biographical-critical entries, this Encyclopedia serves as both guide and companion to the study and appreciation of American literature. A special feature is the topical article, of which there are 70.
Author: Simone O’Malley-Sutton
Author: Simone O’Malley-Sutton
Author: Muhammad Wolfgang G. A. Schmidt
Author: Jeannette Leonard Gilder
Author: Mayder Dravasa
Author: Jeannette Leonard Gilder
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Author: Steven R. Serafin
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