Hymn collections from the Paraclete: Edition of texts PDF Download

Author: Chrysogonus Waddell
Publisher:
ISBN:
Category : Hymns, Latin
Languages : en
Pages :

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Author: Jeffrey Garrett Sikes
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 314

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Author: Hugo Rahner
Publisher: Biblo & Tannen Publishers
ISBN: 9780819602701
Category : History
Languages : en
Pages : 438

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Author: Sylvia Huot
Publisher: Stanford University Press
ISBN: 9780804727174
Category : Music
Languages : en
Pages : 264

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Book Description
This book focuses on the literary artistry of the texts of Old French and bilingual motets, notably the special feature of motets that distinguished them from other medieval lyric forms: the phenomenon of polytextuality.

Author: Peter Abelard
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 166

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Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 9780521612043
Category : Music
Languages : en
Pages : 220

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Book Description
This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.

Author: Samuel N. Rosenberg
Publisher: Routledge
ISBN: 1134819218
Category : Literary Criticism
Languages : en
Pages : 566

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First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Author: Christopher Page
Publisher: Clarendon Paperbacks
ISBN: 9780198166795
Category : History
Languages : en
Pages : 0

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Book Description
For many centuries, the Western imagination has picture the medieval period as a kind of odyssey: a journey that took Mankind to a strange country and ended in the Renaissance with his homecoming and the restoration of his inheritance. In this stimulating and provocative book, Christopher Pageexplores the kinds of generalization that we habitually make about `the Middle Ages' and which, whether we know it or not, sustain the false image of medieval odyssey. In chapters that proceed chronologically from the thirteenth century to the fifteenth, he examines what we suppose to be theserenity of medieval reflection on such matters as the `numerical' explanation of musical beauty, and he questions the modern tendency to regard Ars antiqua motets as music for `an intellectual elite'. Turning to the Ars nova and beyond, he discusses the relation between fourteenth-centuryinnovations and contemporary science. A final chapter explores the powerful influence on Joan Juizinga's classic The Waning of the Middle Ages, upon musicology. Page's lively prose if full of ideas, is based upon first-hand learning, and is enriched by an uncommonly deep experience of medievalmusic.

Author: John Stevens
Publisher: Cambridge University Press
ISBN: 9780521245074
Category : Music
Languages : en
Pages : 582

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Book Description
This book examines the relation of words and music in England and France during the three centuries following the Norman Conquest. The basic material of the study includes the chansons of the troubadours and trouvères and the varied Latin songs of the period. In addition to these 'lyric' forms, the author discusses the relations of music and poetry in dance-song, in narrative and in the ecclesiastical drama. Professor Stevens examines the ready-made, often unconscious, and misleading assumptions we bring to the study and performance of early music. In particular he affirms the importance of Number, in more than one sense, as a clue to the 'aesthetic' of the greater part of repertoire, to the relation of words and melody. and to the baffling problem of their rhythmic interpretation. This is the first wide-ranging study of words and music in this period in any language. It will be essential reading for scholars of the music and the literature of medieval Europe and will provide a basic and comprehensive introduction to the repertoire for students.

Author: Richard L. Crocker
Publisher:
ISBN: 9780193163294
Category : Music
Languages : en
Pages : 824

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Book Description
This is a completely revised edition of the second volume of the New Oxford History of Music. In the last three decades there has been intense interest in the music of the Middle Ages and great advances in research have been made in facts as well as interpretation. Drawing on the work of leading British and American scholars, this volume presents an informed, up-to-date picture of a broadspectrum of music from the fourth century AD to 1300. Beginning with Christian chant in the Mediterranean, it continues through Latin (`Gregorian') chant, liturgical drama, medieval song, instrumental music, and early polyphony down to the monumental organa composed at the cathedral of Notre Dame inParis in the twelfth century. Over 200 musical examples help to illustrate the discussion of 1,000 years of rich and complex musical development. Contributors: John Stevens, Milos Velimirovic, Kenneth Levy, Richard Crocker, Susan Rankin, Christopher Page, Sarah Fuller, and Janet Knapp.