30 Millennia of Painting PDF Download

Author: Klaus H. Carl
Publisher: Parkstone International
ISBN: 1683253590
Category : Art
Languages : en
Pages : 1192

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Author: Joseph Manca
Publisher: Parkstone International
ISBN: 1683253620
Category : Art
Languages : en
Pages : 1597

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Author: Hans-Jürgen Döpp
Publisher: Parkstone International
ISBN: 1783103337
Category : Art
Languages : en
Pages : 1240

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Author: Carol Michaelson
Publisher: Harvard University Press
ISBN: 9780674023895
Category : Art
Languages : en
Pages : 152

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Drawing on the British Museum's extensive collection, this book explores the traditional hierarchy of materials and techniques reaching back as far as the Han Dynasty in the third century BC. In the history and character of the works under scrutiny, this sumptuously illustrated book conveys an understanding of Chinese art in all its great variety.

Author: Christopher Lyon
Publisher: Prestel Publishing
ISBN: 9783791350066
Category : ART
Languages : en
Pages : 0

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"More than 100 years of unschooled artistic genius is gathered in this wide-ranging survey that will elight and inform Outsider Art's rapidly growing audience. Filled with beautiful artworks from every era, Couples in Art is inspired by the myriad images of lovers, spouses, and amorous couples found throughout The Metropolitan Museum of Art's encyclopedic collection"--

Author: Song-mi Yi
Publisher: Hollym International Corporation
ISBN:
Category : Art
Languages : en
Pages : 238

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Unlike Western paintings, which mostly depict natural surroundings as they are, oriental paintings depict not only the landscape but also thoughts or perspectives of painters upon the landscape. Korean Landscape Painting discusses the art form beginning at its earliest roots two millennia ago, in the Three Kingdoms period, right up until the 20th century. Accompanied by many maps and pictures, as well as a glossary of names and terms, this book provides a complete overview of Korean landscape painting and offers a perfect introduction.

Author: Jean-Marie Chauvet
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 144

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Book Description
This text, written by the three discoverers, provides a stirring account of the discovery of Chauvet Cave and the oldest known paintings in the world.

Author: Joseph Archer Crowe
Publisher: Parkstone International
ISBN: 1783103922
Category : Art
Languages : en
Pages : 200

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Oscillating between the majesty of the Greco-Byzantine tradition and the modernity predicted by Giotto, Early Italian Painting addresses the first important aesthetic movement that would lead to the Renaissance, the Italian Primitives. Trying new mediums and techniques, these revolutionary artists no longer painted frescos on walls, but created the first mobile paintings on wooden panels. The faces of the figures were painted to shock the spectator in order to emphasise the divinity of the character being represented. The bright gold leafed backgrounds were used to highlight the godliness of the subject. The elegance of both line and colour were combined to reinforce specific symbolic choices. Ultimately the Early Italian artists wished to make the invisible visible. In this magnificent book, the authors emphasise the importance that the rivalry between the Sienese and Florentine schools played in the evolution of art history. The reader will discover how the sacred began to take a more human form through these forgotten masterworks, opening a discrete but definitive door through the use of anthropomorphism, a technique that would be cherished by the Renaissance.

Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1783109459
Category : Art
Languages : en
Pages : 1224

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Book Description
According to the defined canons of art technique, a portrait should be, above all, a faithful representation of its model. However, this gallery of 1000 portraits illustrates how the genre has been transformed throughout history, and has proven itself to be much more complex than a simple imitation of reality. Beyond exhibiting the skill of the artist, the portrait must surpass the task of imitation, as just and precise as it may be, to translate both the intention of the artist as well as that of its patron, without betraying eitherÊs wishes. Therefore, these silent witnesses, carefully selected in these pages, reveal more than faces of historic figures or anonymous subjects: they reveal a psychology more than an identity, illustrate an allegory, serve as political and religious propaganda, and embody the customs of their epochs. With its impressive number of masterpieces, biographies, and commentaries on works, this book presents and analyses different portraits, consequently exposing to the reader, and to any art lover, a reflection of the evolution of society, and above all the upheavals of a genre that, over 300 centuries of painting, has shaped the history of art.

Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.