Author: HAL LEONARD CORP.
Publisher:
ISBN: 9781705141151
Category :
Languages : en
Pages : 80
Book Description
String Duet Music
Big Book of Violin and Cello Duets
Author: HAL LEONARD CORP.
Publisher:
ISBN: 9781705141151
Category :
Languages : en
Pages : 80
Book Description
String Duet Music
Publisher:
ISBN: 9781705141151
Category :
Languages : en
Pages : 80
Book Description
String Duet Music
Sailing Into Bethlehem; Christmas Duets for Two Violins
Author: Myanna Harvey
Publisher:
ISBN: 9781635230482
Category : Music
Languages : en
Pages : 48
Book Description
Looking for intriguingly beautiful early-intermediate violin holiday duets? Sailing into Bethlehem: Christmas Duets for Two Violins gives you a chance to play the carols you love with your teacher, your students, or your friends. Weaving melodies with accompaniment, Myanna Harvey has created a Christmas book in the style of Flying Fiddle Duets for Two Violins. Playable, enjoyable, performable: these duets are a welcome addition to the Christmas chamber music repertoire. Know any violists or cellists? You can pick up a copy of theviola book or the cello book and play with those instruments as well; the viola book is fully compatible with the viola and cello books! Here's the technical nitty-gritty: -all in first position -in keys of G, C, and D
Publisher:
ISBN: 9781635230482
Category : Music
Languages : en
Pages : 48
Book Description
Looking for intriguingly beautiful early-intermediate violin holiday duets? Sailing into Bethlehem: Christmas Duets for Two Violins gives you a chance to play the carols you love with your teacher, your students, or your friends. Weaving melodies with accompaniment, Myanna Harvey has created a Christmas book in the style of Flying Fiddle Duets for Two Violins. Playable, enjoyable, performable: these duets are a welcome addition to the Christmas chamber music repertoire. Know any violists or cellists? You can pick up a copy of theviola book or the cello book and play with those instruments as well; the viola book is fully compatible with the viola and cello books! Here's the technical nitty-gritty: -all in first position -in keys of G, C, and D
113 Etudes for Cello
Author: Friedrich Dotzauer
Publisher: CreateSpace
ISBN: 9781494329785
Category :
Languages : en
Pages : 58
Book Description
Perhaps Dotzauer's most famous cello work is his 113 Etudes in four volumes. Masterfully prepared by him, this edition is a reprint of the authoritative G. Schirmer plate 26746 printed around 1917. This is the first volume in the series. 57pps, Extra note and staff paper in back for teacher annotations. Edition Fleury 2013. A must have for any student, teacher or cellist to have in his/her library.
Publisher: CreateSpace
ISBN: 9781494329785
Category :
Languages : en
Pages : 58
Book Description
Perhaps Dotzauer's most famous cello work is his 113 Etudes in four volumes. Masterfully prepared by him, this edition is a reprint of the authoritative G. Schirmer plate 26746 printed around 1917. This is the first volume in the series. 57pps, Extra note and staff paper in back for teacher annotations. Edition Fleury 2013. A must have for any student, teacher or cellist to have in his/her library.
The Only Cello Scale Book You Will Ever Need -
Author: Sheryl Smith
Publisher:
ISBN:
Category :
Languages : en
Pages : 59
Book Description
New large print edition! (Regular edition is also available on Amazon.) Probably the only scale book you will ever need! Contains all 24 major and melodic minor scales AND arpeggios. Each scale and arpeggio has complete fingerings for one, two, and three octaves. It is very hard to find books that have one, two, and three octaves scales shown separately! Also includes some suggested bowing patterns, which are shown at the bottom of the page. Many books are in circle of fifths order, which is less practical. When students are working on F major, an easy scale, you must hunt for it way in the back. This book is organized in the order that most students will learn scales. The order (major scales) is C, G, F, D, Bb, etc. Each page has all of the scales and arpeggios for that key. This can start conversations about future playing: here's where you will be someday! By having the arpeggios on the same page as the scales, you can easily see the structure of chords as they relate to scales. It is helpful to show 1, 2, and 3 octave scales separately, but hard to find. Students can get confused if they are learning a one octave scale while seeing a two octave scale on the page. It is often hard for them to stop in the middle and pick it back up near the end.This book is meant to be easy to read and follow. The scales are not obscured with bowings or theory notations. The goal is simplicity, clarity, and completeness.
Publisher:
ISBN:
Category :
Languages : en
Pages : 59
Book Description
New large print edition! (Regular edition is also available on Amazon.) Probably the only scale book you will ever need! Contains all 24 major and melodic minor scales AND arpeggios. Each scale and arpeggio has complete fingerings for one, two, and three octaves. It is very hard to find books that have one, two, and three octaves scales shown separately! Also includes some suggested bowing patterns, which are shown at the bottom of the page. Many books are in circle of fifths order, which is less practical. When students are working on F major, an easy scale, you must hunt for it way in the back. This book is organized in the order that most students will learn scales. The order (major scales) is C, G, F, D, Bb, etc. Each page has all of the scales and arpeggios for that key. This can start conversations about future playing: here's where you will be someday! By having the arpeggios on the same page as the scales, you can easily see the structure of chords as they relate to scales. It is helpful to show 1, 2, and 3 octave scales separately, but hard to find. Students can get confused if they are learning a one octave scale while seeing a two octave scale on the page. It is often hard for them to stop in the middle and pick it back up near the end.This book is meant to be easy to read and follow. The scales are not obscured with bowings or theory notations. The goal is simplicity, clarity, and completeness.
Fun & Easy Cello Duets - Part II
Author: Audrey Williams
Publisher: Audrey Williams
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 35
Book Description
More fun and easy cello duets for beginner and/or intermediate cellists. This book is a great supplement to add to a student's repertoire that compliments all lesson books.
Publisher: Audrey Williams
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 35
Book Description
More fun and easy cello duets for beginner and/or intermediate cellists. This book is a great supplement to add to a student's repertoire that compliments all lesson books.
Thirty Trios for 2 Violins and a Cello
Author: Larry Newman
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986570435
Category :
Languages : en
Pages : 40
Book Description
Thirty trios for the intermediate and advanced violinist and cellist. Violin 1, Violin 2 and Cello
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986570435
Category :
Languages : en
Pages : 40
Book Description
Thirty trios for the intermediate and advanced violinist and cellist. Violin 1, Violin 2 and Cello
The Strad
Author:
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 880
Book Description
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 880
Book Description
The Musical Times and Singing-class Circular
Playing the Cello, 1780-1930
Author: George Kennaway
Publisher: Routledge
ISBN: 1317079809
Category : Music
Languages : en
Pages : 320
Book Description
This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
Publisher: Routledge
ISBN: 1317079809
Category : Music
Languages : en
Pages : 320
Book Description
This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.