3 MOLAS, THE. PDF Download

Author: MIKE. CHARLES JENKINS (ERIC NGALLE. GLYN, IFOR AP.)
Publisher:
ISBN: 9781845277512
Category :
Languages : en
Pages :

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Author: Kate Mathews
Publisher: Lark Books (NC)
ISBN: 9781579900205
Category : Appliqué
Languages : en
Pages : 0

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Book Description
Molas are brilliantly colored panels of appliqued fabric. Here is the only how-to book on this famous and widely collected folk art. Readers explore the rich tradition started by Panama's Kuna Indians and learn step-by-step how to create their own original molas. More than 25 projects with a contemporary slant. 90 color photos.

Author: Maricel E. Presilla
Publisher: Macmillan
ISBN: 0805038019
Category : Juvenile Nonfiction
Languages : en
Pages : 40

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Book Description
The Cuna Indians live off the coast of Panama and make beautiful Molas.

Author: Diana Marks
Publisher: University of New Mexico Press
ISBN: 0826357075
Category : Social Science
Languages : en
Pages : 280

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Book Description
Molas, the distinctive blouses made and worn by Kuna women in Panama, are collected by thousands of enthusiasts as well as by anthropological museums all over the world. They are recognized everywhere as an identifier of the Kuna people and also of Panama. This book, based on original research, explores the origin of the mola in the early twentieth century, how it became part of the everyday dress of Kuna women, and its role in creating Kuna identity. Images drawn from more than twenty museums as well as private collections show the development of designs and techniques and highlight changes in the garment as an item of indigenous fashion. Applying an interdisciplinary approach—fusing historical, ethnographic, and material culture studies—author Diana Marks contributes to ongoing debates on cultural authenticity, the invention of traditions, and issues of gender and politics.

Author: Caren Caraway
Publisher: NaturEncyclopedia
ISBN:
Category : Art
Languages : en
Pages : 52

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Book Description
Black-and-white designs based on reverse appliqué mola patterns worked by Cuna Indian women in Panama.

Author: Jennifer Gómez Menjívar
Publisher: University of Arizona Press
ISBN: 081653800X
Category : Social Science
Languages : en
Pages : 305

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Book Description
Cultural preservation, linguistic revitalization, intellectual heritage, and environmental sustainability became central to Indigenous movements in Mexico and Central America after 1992. While the emergence of these issues triggered important conversations, none to date have examined the role that new media has played in accomplishing their objectives. Indigenous Interfaces provides the first thorough examination of indigeneity at the interface of cyberspace. Correspondingly, it examines the impact of new media on the struggles for self-determination that Indigenous peoples undergo in Mexico and Central America. The volume’s contributors highlight the fresh approaches that Mesoamerica’s Indigenous peoples have given to new media—from YouTubing Maya rock music to hashtagging in Zapotec. Together, they argue that these cyberspatial activities both maintain tradition and ensure its continuity. Without considering the implications of new technologies, Indigenous Interfaces argues, twenty-first-century indigeneity in Mexico and Central America cannot be successfully documented, evaluated, and comprehended. Indigenous Interfaces rejects the myth that indigeneity and information technology are incompatible through its compelling analysis of the relationships between Indigenous peoples and new media. The volume illustrates how Indigenous peoples are selectively and strategically choosing to interface with cybertechnology, highlights Indigenous interpretations of new media, and brings to center Indigenous communities who are resetting modes of communication and redirecting the flow of information. It convincingly argues that interfacing with traditional technologies simultaneously with new media gives Indigenous peoples an edge on the claim to autonomous and sovereign ways of being Indigenous in the twenty-first century. Contributors Arturo Arias Debra A. Castillo Gloria Elizabeth Chacón Adam W. Coon Emiliana Cruz Tajëëw Díaz Robles Mauricio Espinoza Alicia Ivonne Estrada Jennifer Gómez Menjívar Sue P. Haglund Brook Danielle Lillehaugen Paul Joseph López Oro Rita M. Palacios Gabriela Spears-Rico Paul Worley

Author:
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 224

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Author: United States. Hydrographic Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 90

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Book Description

Author: A. C. Huffman
Publisher:
ISBN:
Category : Geology
Languages : en
Pages : 74

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Book Description
A multidisciplinary approach to research studies of sedimentary rocks and their constituents and the evolution of sedimentary basins, both ancient and modern.

Author: Monique Mojica
Publisher: University of Michigan Press
ISBN: 0472056212
Category : Social Science
Languages : en
Pages : 165

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Book Description
This volume documents the creation of Chocolate Woman Dreams the Milky Way, a play written and performed by Monique Mojica with collaborators from diverse disciplines. Inspired by the pictographic writing and mola textiles of the Guna, an indigenous people of Panama and Colombia, the book explores Mojica's unique approach to the performance process. Her method activates an Indigenous theatrical process that privileges the body in contrast to Western theater's privileging of the written text, and rethinks the role of land, body, and movement, as well as dramatic story-structure and performance style. Co-authored with anthropologist Brenda Farnell, the book challenges the divide between artist and scholar, and addresses the many levels of cultural, disciplinary, and linguistic translations required to achieve this. Placing the complex intellect inherent to Indigenous Knowledges at its center, the book engages Indigenous performance theory, and concepts that link body, land, and story, such as terra nullius/corpus nullius, mapping, pattern literacy, land literacy, and movement literacy. Enhanced by contributions from other artists and scholars, the book challenges Eurocentric ideologies about what counts as "performance" and what is required from an "audience," as well as long-standing body-mind dualisms.