Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 127
Book Description
˜2.œ (SEGUNDO) BIENAL NACIONAL DE ARTES VISUALES.
Bienal Nacional de Artes Visuales
Segunda bienal nacional de escultura
Annual Bibliography of Modern Art
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 418
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 418
Book Description
Arte Latinoamericano Siglo XX
Author: Museo de Arte Latinoamericano de Buenos Aires
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 252
Book Description
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 252
Book Description
World Anthropologies
Author: Gustavo Lins Ribeiro
Publisher: Routledge
ISBN: 1000184498
Category : Social Science
Languages : en
Pages : 320
Book Description
Since its inception, anthropology's authority has been based on the assumption that it is a unified discipline emanating from the West. In an age of heightened globalization, anthropologists have failed to discuss consistently the current status of their practice and its mutations across the globe. World Anthropologies is the first book to provoke this conversation from various regions of the world in order to assess the diversity of relations between regional or national anthropologies and a contested, power-laden Western discourse. Can a planetary anthropology cope with both the 'provincial cosmopolitanism' of alternative anthropologies and the 'metropolitan provincialism' of hegemonic schools? How might the resulting 'world anthropologies' challenge the current panorama in which certain allegedly national anthropological traditions have more paradigmatic weight - and hence more power - than others? Critically examining the international dissemination of anthropology within and across national power fields, contributors address these questions and provide the outline for a veritable world anthropologies project.
Publisher: Routledge
ISBN: 1000184498
Category : Social Science
Languages : en
Pages : 320
Book Description
Since its inception, anthropology's authority has been based on the assumption that it is a unified discipline emanating from the West. In an age of heightened globalization, anthropologists have failed to discuss consistently the current status of their practice and its mutations across the globe. World Anthropologies is the first book to provoke this conversation from various regions of the world in order to assess the diversity of relations between regional or national anthropologies and a contested, power-laden Western discourse. Can a planetary anthropology cope with both the 'provincial cosmopolitanism' of alternative anthropologies and the 'metropolitan provincialism' of hegemonic schools? How might the resulting 'world anthropologies' challenge the current panorama in which certain allegedly national anthropological traditions have more paradigmatic weight - and hence more power - than others? Critically examining the international dissemination of anthropology within and across national power fields, contributors address these questions and provide the outline for a veritable world anthropologies project.
Masters of the 19th and 20th Centuries
Author: Marlborough Gallery (N.Y.)
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 107
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 107
Book Description
The Abolition of War
Author: Krzysztof Wodiczko
Publisher: Black Dog Pub Limited
ISBN: 9781907317668
Category : Art
Languages : en
Pages : 143
Book Description
The Abolition of War explores the ideas that inform Krzysztof Wodiczko's project The World Institute for the Abolition of War and is a manifesto for the dismantling of what Wodiczko sees as the ubiquitous, unconscious, and ultimately perilous ?Culture of War”, which is embedded within and constantly reaffirmed by our monuments and our historical narratives. In this volume Wodiczko, winner of the Hiroshima Art Prize in 1998, offers a detailed examination of his proposal for The World Institute for the Abolition of War, a projected ?Un-War Memorial” constructed as a structure encapsulating the existing Arc de Triomphe in Paris. Wodiczko is joined by anthropologist Douglas Fry to shed light on the silent but deeply rooted ideologies of war, which permeate our contemporary societies, fuelling current acts of aggression and threatening to erupt into further warfare. Fry's essay ?Abolition of War: An Agenda for Survival” contradicts the generally held assumption that war is an inevitable aspect of human life, and posits new models of global interdependency as the necessary step towards viable peace.
Publisher: Black Dog Pub Limited
ISBN: 9781907317668
Category : Art
Languages : en
Pages : 143
Book Description
The Abolition of War explores the ideas that inform Krzysztof Wodiczko's project The World Institute for the Abolition of War and is a manifesto for the dismantling of what Wodiczko sees as the ubiquitous, unconscious, and ultimately perilous ?Culture of War”, which is embedded within and constantly reaffirmed by our monuments and our historical narratives. In this volume Wodiczko, winner of the Hiroshima Art Prize in 1998, offers a detailed examination of his proposal for The World Institute for the Abolition of War, a projected ?Un-War Memorial” constructed as a structure encapsulating the existing Arc de Triomphe in Paris. Wodiczko is joined by anthropologist Douglas Fry to shed light on the silent but deeply rooted ideologies of war, which permeate our contemporary societies, fuelling current acts of aggression and threatening to erupt into further warfare. Fry's essay ?Abolition of War: An Agenda for Survival” contradicts the generally held assumption that war is an inevitable aspect of human life, and posits new models of global interdependency as the necessary step towards viable peace.
Making Art Concrete
Author: Pia Gottschaller
Publisher: Getty Publications
ISBN: 1606065297
Category : Art
Languages : en
Pages : 154
Book Description
In the years after World War II, artists in Argentina and Brazil experimented with geo-metric abstraction and engaged in lively debates about the role of the artwork in society. Some of these artists used novel synthetic materials, creating objects that offered an alternative to established traditions in painting—proposing that these objects become part of everyday, concrete reality. Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Colección Patricia Phelps de Cisneros, a world-renowned collection of Latin American art, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein. Making Art Concrete presents works by Lygia Clark, Willys de Castro, Judith Lauand, Raúl Lozza, Hélio Oiticica, and Rhod Rothfuss, among others, with spectacu-lar new photography. The photographs, along with information about the now-invisible processes that determine the appearance of these works, are key to interpreting the artists’ technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists’ propositions, making a compelling addition to the field of postwar Latin American art.
Publisher: Getty Publications
ISBN: 1606065297
Category : Art
Languages : en
Pages : 154
Book Description
In the years after World War II, artists in Argentina and Brazil experimented with geo-metric abstraction and engaged in lively debates about the role of the artwork in society. Some of these artists used novel synthetic materials, creating objects that offered an alternative to established traditions in painting—proposing that these objects become part of everyday, concrete reality. Combining art historical and scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Colección Patricia Phelps de Cisneros, a world-renowned collection of Latin American art, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein. Making Art Concrete presents works by Lygia Clark, Willys de Castro, Judith Lauand, Raúl Lozza, Hélio Oiticica, and Rhod Rothfuss, among others, with spectacu-lar new photography. The photographs, along with information about the now-invisible processes that determine the appearance of these works, are key to interpreting the artists’ technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists’ propositions, making a compelling addition to the field of postwar Latin American art.
The Transformation of Economic Life under the Roman Empire
Author: Lukas de Blois
Publisher: BRILL
ISBN: 9004401628
Category : History
Languages : en
Pages : 288
Book Description
Did a Roman imperial economy exist under the Late Republic, the Roman Principate and the Later Roman Empire? And if so, what type of economy was it? Another equally important question is: did the Roman Empire, by specific actions, the creation of infrastructures, or its very existence, trigger a transformation of economic life in the regions which it dominated? Or was the Empire a marginal affair in the regions that belonged to it, and did economic developments take their own course, independently of the Empire? Questions like these, which are of great consequence to any student of Roman history, archaeology, and Roman law, are treated in this volume, which in its successive parts focuses on: 1. The character of the Roman economy. 2. Economic life in particular regions of the Roman Empire. 3. The economy of the Later Roman Empire.
Publisher: BRILL
ISBN: 9004401628
Category : History
Languages : en
Pages : 288
Book Description
Did a Roman imperial economy exist under the Late Republic, the Roman Principate and the Later Roman Empire? And if so, what type of economy was it? Another equally important question is: did the Roman Empire, by specific actions, the creation of infrastructures, or its very existence, trigger a transformation of economic life in the regions which it dominated? Or was the Empire a marginal affair in the regions that belonged to it, and did economic developments take their own course, independently of the Empire? Questions like these, which are of great consequence to any student of Roman history, archaeology, and Roman law, are treated in this volume, which in its successive parts focuses on: 1. The character of the Roman economy. 2. Economic life in particular regions of the Roman Empire. 3. The economy of the Later Roman Empire.