25 FPS Internatnacionalni festival eskperimentalnog filma i videa, Zagreb, 21-25/09/05 PDF Download

Author: Mirna Belina
Publisher:
ISBN:
Category : Experimental films
Languages : en
Pages : 220

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Author: Dina Iordanova
Publisher: Wallflower Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 320

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Book Description
Another in the 24 Frames series, each of these twenty-four essays discusses an individual film from the Balkan region (Bulgaria, Greece, Romania, Albania, and the former Yugoslavia-Serbia, Macedonia, Bosnia, Montenegro, Croatia, and Slovenia). These films represent the rich and diverse culture of the Balkans and reveal the stylistic and thematic affinities of a region often perceived as a disconnected cultural space. Films include: Stella (Greece, 1955), Goat's Horn (Bulgaria, 1972), When I Am Dead and Pale (Yugoslavia, 1969), The Red Horse (Yugoslavia, 1984), Stone Wedding (Romania, 1971), and Walter Defends Sarajevo (Yugoslavia, 1972).

Author: Daniel J. Goulding
Publisher: Indiana University Press
ISBN: 9780253342102
Category : History
Languages : en
Pages : 310

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Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia.

Author: Chris Berry
Publisher: Columbia University Press
ISBN: 0231137060
Category : History
Languages : en
Pages : 331

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Book Description
In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, explore more than one hundred years of Chinese cinema and nation. Providing new perspectives on key movements, themes, and filmmakers, Berry and Farquhar analyze the films of a variety of directors and actors, including Chen Kaige, Zhang Yimou, Hou Hsiao Hsien, Bruce Lee, Jackie Chan, Maggie Cheung, Gong Li, Wong Kar-wai, and Ang Lee. They argue for the abandonment of "national cinema" as an analytic tool and propose "cinema and the national" as a more productive framework. With this approach, they show how movies from China, Hong Kong, Taiwan, and the Chinese diaspora construct and contest different ideas of Chinese nation--as empire, republic, or ethnicity, and complicated by gender, class, style, transnationalism, and more. Among the issues and themes covered are the tension between operatic and realist modes, male and female star images, transnational production and circulation of Chinese films, the image of the good foreigner--all related to different ways of imagining nation. Comprehensive and provocative, China on Screen is a crucial work of film analysis.

Author: Toby Miller
Publisher: Bloomsbury Publishing
ISBN: 1838715959
Category : Performing Arts
Languages : en
Pages : 450

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Book Description
Substantially revised and updated, this book highlights how Hollywood has transformed itself to attain ever global clout and reach and the material factors underlining Hollywood's apparent artistic success. Takes into consideration recent events affecting Hollywood such as 9/11, US foreign policy and developments in consumer technology.

Author: Dina Iordanova
Publisher: Wayne State University Press
ISBN: 9780814333884
Category : Performing Arts
Languages : en
Pages : 282

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Book Description
Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin--exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as "center" is subverted, and new forms of representation become possible. In Cinema at the Periphery, editors Dina Iordanova, David Martin-Jones, and Belén Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration. Cinema at the Periphery examines the periphery in terms of locations, practices, methods, and themes. It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian "stateless" cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of "periphery" is not fixed but is always changing according to patterns of industry, ideology, and taste. Cinema at the Periphery highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies.

Author: Paul Grainge
Publisher: Routledge
ISBN: 1134258968
Category : Performing Arts
Languages : en
Pages : 293

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Book Description
From the growth in merchandising and product placement to the rise of the movie franchise, branding has become central to the modern blockbuster economy. In a wide-ranging analysis focusing on companies such as Disney, Dolby, Paramount, New Line and, in particular, Warner Bros., Brand Hollywood provides the first sustained examination of the will-to-brand in the contemporary movie business. Outlining changes in the marketing and media environment during the 1990s and 2000s, Paul Grainge explores how the logic of branding has propelled specific kinds of approach to the status and selling of film. Analyzing the practice of branding, the poetics of corporate logos, and the industrial politics surrounding the development of branded texts, properties and spaces - including franchises ranging from Looney Tunes to Lord of the Rings and Harry Potter to The Matrix - Grainge considers the relation of branding to the emergent principle of ‘total entertainment’. Employing an interdisciplinary method drawn from film studies, cultural studies and advertising and media studies, Brand Hollywood demonstrates the complexities of selling entertainment in the global media moment, providing a fresh and engaging perspective on branding’s significance for commercial film and the industrial culture from which it is produced.

Author: William Brown
Publisher: Wallflower Press
ISBN: 9781906678036
Category : Performing Arts
Languages : en
Pages : 257

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Book Description
Human trafficking has always been a popular topic in cinema, with the film The Silent Traffic in Soulspromoting reform as early as 1913. Since then the idea of human trafficking has been revised at various times and within various contexts, as in the past decade, where the rise in migration and the demise of national borders have turned human traffic into one of the dominant narratives of contemporary cinema. This study focuses on the current cycle of films that play upon trafficking anxieties. Like their subject, these essays are transnational in nature, reflecting on films that depict white slavery, drug trafficking, and undocumented labor. The volume considers films by such internationally renowned directors as Amos Gitaï ( Promised Land, 2004), the Dardenne Brothers ( Lorna's Silence, 2008), Nick Broomfield ( Ghosts, 2006), Michael Winterbottom ( In This World, 2002), and Ulrich Seidl ( Import/Export, 2002). A range of documentary and activist films are also examined, as well as examples from popular genres, such as Pierre Morel's Taken(2008) and Brad Anderson's Transsiberian(2008).

Author: Dina Iordanova
Publisher: Anchor Books
ISBN: 9780956373052
Category : Film festivals
Languages : en
Pages : 317

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Book Description
Featuring essays by and interviews with festival programmers, filmmakers, activists, and film scholars, "Film Festivals and Activism" explores the role of film festivals in social justice movements and campaigns.

Author: Dina Iordanova
Publisher:
ISBN: 9780956373090
Category : Motion picture industry
Languages : en
Pages : 223

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Book Description
'Nobody knows anything', said William Goldman of studio filmmaking. This statement is proving increasingly apt as we begin to survey the radical changes that digital distribution, together with the digitisation of production and exhibition, is wreaking on global film circulation. Will digital dissemination produce a massive disruption to the film industry, as it did to mail delivery services, bookselling and music distribution? Is cinema about to move on-line? Digital Disruption: Cinema Moves On-line helps to make sense of what has happened in the short but turbulent history of on-line distribution. It provides a realistic assessment of the disruptions that moving from 'analogue dollars' to 'digital cents' has provoked in the film industry. Looking closely at how the majors have dealt - often unsuccessfully - with these challenges it also pays equal attention to innovations and practices outside the mainstream. Throughout, it is alive to important entrepreneurial innovations, showcasing the work of Mubi, Jaman, Withoutabox and IMDb. Written by leading academic commentators who have followed the fortunes of world cinema closely and with passion, together with experienced writers close to the fluctuating fortunes of the industry, Digital Disruption: Cinema Moves On-line is an indispensable guide to the dramatic changes that film is currently experiencing. 'It's hard to overstate the importance of this collection of essays. Ever since digital technology began to transform the media landscape, various self-appointed pundits - myself included - have been predicting the final outcome, with results that have ranged from a utopian belief that film is finally being democratised to various versions of the end-of-the-cinema-as-we-know-it scenario. Now, at last, we have what we needed: some rigorous academic thinking on the subject combined with detailed analysis of what exactly is going on in the fast-developing world of downloads, streaming video and Swedish pirates. The people who really need to read this book - the Hollywood studios - probably won't. But anyone else remotely interested in the future of cinema should do so.' (Nick Roddick, Sight & Sound's 'Mr Busy') 'Digital Disruption is a must read for all researchers and practitioners interested in the changing shape and circulation of filmed content. This book amounts to much more than the sum of its parts by addressing compelling and highly relevant areas of enquiry and employing fine research delivered in a transparent and accessible writing style. Digital Disruption enables the reader to leap onto a fast moving train without being knocked off balance by the rush of the wind. Highly recommended.' (Angus Finney, consultant and industry executive, Film Business Academy, London and author of The International Film Business: A Market Guide beyond Hollywood)