Author: Peter Woetmann ChristoffersenPublisher: Museum Tusculanum Press
ISBN:
Category :
Languages : en
Pages : 218
Book Description
French Music in the Early Sixteenth Century. Studies in the Music Collection of a Copyist of Lyons (Manuscript in Copenhagen)
Author: Peter Woetmann ChristoffersenPublisher: Museum Tusculanum Press
ISBN:
Category :
Languages : en
Pages : 218
Book Description
French Music in the Early Sixteenth Century
Author: Peter Woetmann ChristoffersenPublisher: Museum Tusculanum Press
ISBN: 9788772892429
Category : Literary Collections
Languages : en
Pages : 920
Book Description
A description, reconstruction and discussion of the repertory of an exceptional musical source, the French manuscript made at Lyons c. 1520-1525 as the private collection of a music copyist. The book contains 280 compositions, sacred and secular, from the period 1450-1524 with Loyset, Compère, Alexander Agricola, Antoine de Févin, Claudin de Sermisy and Clément Janequin as the prominent composers. Besides discussing the many-faceted repertory, the book studies the circulation of music in the early sixteenth century and the relationships between popular songs and courtly chansons and between provincial music and the music of the musical centres. -- The manuscript has been in the Royal Library of Copenhagen since 1921. This is the first comprehensive study of it.
Composers and their Songs, 1400–1521
Author: David FallowsPublisher: Taylor & Francis
ISBN: 1000947467
Category : History
Languages : en
Pages : 358
Book Description
This second selection of essays by David Fallows draws the focus towards individual composers of the 'long' fifteenth century and what we can learn about their songs. In twenty-one essays on the secular works of composers from Ciconia and Oswald von Wolkenstein via Binchois, Ockeghem, Busnoys and Regis to Josquin, Henry VIII and Petrus Alamire, one repeated theme is how a consideration of the songs can help the way to a broader understanding of a composer's output. Since there are more song sources and more individual pieces now available for study, there are more handles for dating, for geographical location and for social alignment. Another theme concerns the various different ways in which particular songs have their impact on the next generations. Yet another concerns the authorshop of poems that were set to music by Binchois and Ciconia in particular. A group of essays on Josquin were parerga to the author's edition of his four-voice secular music for the New Josquin Edition (2005) and to his monograph on the composer (2009).
French Music in the Early Sixteenth Century: Catalogue
Author: Peter Woetmann ChristoffersenPublisher:
ISBN:
Category : Catalogs
Languages : en
Pages : 222
Book Description
Music, Books on Music, and Sound Recordings
Author: Library of CongressPublisher:
ISBN:
Category : Music
Languages : en
Pages : 728
Book Description
Quomodo Cantabimus Canticum?
Author: David Butler CannataPublisher: American Institute of Musicology, Gmbh
ISBN:
Category : Music
Languages : en
Pages : 304
Book Description
Edward Roesner forged a career in musicology that placed him at the forefront of the discipline. This collection of thirteen essays entitled Quomodo Cantabimus Canticum? taking its name from an important motet text in the Roman de Fauvel, and written and edited by a group of scholar friends and students, honors not only his rigorous scholarship but also the breadth of his interest and learning. Starting with Leofranc Holford-Strevens' rationale of how Roesner, as Gustave Reese's protégée and successor, had no choice but to be a Medievalist, Gabriela Ilnitchi Currie's discussion of Eriugenian song, and Susan Rankin's exposé on the making of Carolingian chant books, the anthology traverses a wide continuum of argument all of which underscores Roesner's particular interests--liturgy, chant, polyphony, authenticity, the dissemination of texts and ideas over the centuries, and things Parisian. Andreas Haug brings new perspectives to bear on Notker's Preface; and following Roesner's interest in all aspects of the Medieval and Renaissance eras, today's leading scholars--Rebecca Baltzer, Margaret Bent, Bonnie Blackburn, Susan Boynton, Michel Huglo, Karl Kügle, and Joshua Rifkin--reexamine previously accepted notions of time and space, terminology, and transmission within previously "explicit" texts and tropes. The collection comes full circle with Linda Correll Roesner's discussion of a Clara Schumann letter (Reese's wedding gift to the Roesner couple), and a return to Paris with David Cannata's investigation of Messiaen as Thomistic Christologist. The editors were resolute that Roesner provide his own bibliography! With every sentence, Quomodo Cantabimus Canticum? Essays in Honor of Edward H. Roesner, a compilation that can only begin to plumb Roesner's facility and relentless pursuit of precision in all areas of academic investigation, marvels "How Can We Sing the Song?" For more information, see http: //www.corpusmusicae.com/misc/misc_cc007.htm
Fors seulement
Author: Martin PickerPublisher: A-R Editions, Inc.
ISBN: 0895791536
Category :
Languages : en
Pages : 136
Book Description
xxv + 104 pp.
作曲家全集・楽譜叢書所在目錄
Author: Instrumentalists and Renaissance Culture, 1420-1600
Author: Victor CoelhoPublisher: Cambridge University Press
ISBN: 1107145805
Category : Art
Languages : en
Pages : 353
Book Description
This is the first in-depth study in any language exploring the vast cultural range of instrumental music during the Renaissance.
Author: