Author: Christopher Wright
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
British and Irish Paintings in Public Collections
Author: Christopher Wright
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
British and Irish Art 1945-1951
Author: Adrian Clark
Publisher: Paul Holberton Publishing
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
Summary: This book puts history back into the history of art. It approaches the British and Irish art worlds from the historical viewpoint, avoiding theories unsupported by facts. By studying the intricate mechanisms whereby artists turned oil on canvas into money - or not - the book explains how artists' reputations were made or broken. Individual artists discussed include Francis Bacon, Lucian Freud, Henry Moore, John Piper, Graham Sutherland, Jacob Epstein, Ben Nicholson, Barbara Hepworth and many more. Readers will be startled and intrigued to find how such artists fought to survive amid the network of powerful individuals, critics and gallery owners that controlled their destinies.
Publisher: Paul Holberton Publishing
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
Summary: This book puts history back into the history of art. It approaches the British and Irish art worlds from the historical viewpoint, avoiding theories unsupported by facts. By studying the intricate mechanisms whereby artists turned oil on canvas into money - or not - the book explains how artists' reputations were made or broken. Individual artists discussed include Francis Bacon, Lucian Freud, Henry Moore, John Piper, Graham Sutherland, Jacob Epstein, Ben Nicholson, Barbara Hepworth and many more. Readers will be startled and intrigued to find how such artists fought to survive amid the network of powerful individuals, critics and gallery owners that controlled their destinies.
The Book of Beauty
Author: Cecil Beaton
Publisher:
ISBN:
Category : Beauty, Personal
Languages : en
Pages : 146
Book Description
Sketches of various contemporary women of note, with portraits.
Publisher:
ISBN:
Category : Beauty, Personal
Languages : en
Pages : 146
Book Description
Sketches of various contemporary women of note, with portraits.
The Cambridge Companion to Twentieth-Century British and Irish Women's Poetry
Author: Jane Dowson
Publisher: Cambridge University Press
ISBN: 1139824856
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This Companion provides new ways of reading a wide range of influential women's poetry. Leading international scholars offer insights on a century of writers, drawing out the special function of poetry and the poets' use of language, whether it is concerned with the relationship between verbal and visual art, experimental poetics, war, landscape, history, cultural identity or 'confessional' lyrics. Collectively, the chapters cover well established and less familiar poets, from Edith Sitwell and Mina Loy, through Stevie Smith, Sylvia Plath and Elizabeth Jennings to Anne Stevenson, Eavan Boland and Jo Shapcott. They also include poets at the forefront of poetry trends, such as Liz Lochhead, Jackie Kay, Patience Agbabi, Caroline Bergvall, Medbh McGuckian and Carol Ann Duffy. With a chronology and guide to further reading, this book is aimed at students and poetry enthusiasts wanting to deepen their knowledge of some of the finest modern poets.
Publisher: Cambridge University Press
ISBN: 1139824856
Category : Literary Criticism
Languages : en
Pages : 241
Book Description
This Companion provides new ways of reading a wide range of influential women's poetry. Leading international scholars offer insights on a century of writers, drawing out the special function of poetry and the poets' use of language, whether it is concerned with the relationship between verbal and visual art, experimental poetics, war, landscape, history, cultural identity or 'confessional' lyrics. Collectively, the chapters cover well established and less familiar poets, from Edith Sitwell and Mina Loy, through Stevie Smith, Sylvia Plath and Elizabeth Jennings to Anne Stevenson, Eavan Boland and Jo Shapcott. They also include poets at the forefront of poetry trends, such as Liz Lochhead, Jackie Kay, Patience Agbabi, Caroline Bergvall, Medbh McGuckian and Carol Ann Duffy. With a chronology and guide to further reading, this book is aimed at students and poetry enthusiasts wanting to deepen their knowledge of some of the finest modern poets.
The Comforters
Author: Muriel Spark
Publisher: New Directions Publishing
ISBN: 0811222411
Category : Fiction
Languages : en
Pages : 144
Book Description
Spark’s mind-bogglingly stunning 1957 debut With easy, sunny eeriness, Spark lights up the darkest things: blackmail, a drowning, nervous breakdowns, a ring of smugglers, a loathsome busybody, a diabolic bookseller, human evil.
Publisher: New Directions Publishing
ISBN: 0811222411
Category : Fiction
Languages : en
Pages : 144
Book Description
Spark’s mind-bogglingly stunning 1957 debut With easy, sunny eeriness, Spark lights up the darkest things: blackmail, a drowning, nervous breakdowns, a ring of smugglers, a loathsome busybody, a diabolic bookseller, human evil.
British Art and the Environment
Author: Charlotte Gould
Publisher: Routledge
ISBN: 1000408213
Category : Art
Languages : en
Pages : 424
Book Description
This book explores the nature of Britain-based artists’ engagement with the transformations of their environment since the early days of the Industrial Revolution. At a time of pressing ecological concerns, the international group of contributors provide a series of case studies that reconsider the nature–culture divide and aim at identifying the contours of a national narrative that stretches from enclosed lands to rising seas. By adopting a longer historical view, this book hopes to enrich current debates concerning art’s engagement with recording and questioning the impact of human activity on the environment. The book will be of interest to scholars working in art history, contemporary art, environmental humanities, and British studies.
Publisher: Routledge
ISBN: 1000408213
Category : Art
Languages : en
Pages : 424
Book Description
This book explores the nature of Britain-based artists’ engagement with the transformations of their environment since the early days of the Industrial Revolution. At a time of pressing ecological concerns, the international group of contributors provide a series of case studies that reconsider the nature–culture divide and aim at identifying the contours of a national narrative that stretches from enclosed lands to rising seas. By adopting a longer historical view, this book hopes to enrich current debates concerning art’s engagement with recording and questioning the impact of human activity on the environment. The book will be of interest to scholars working in art history, contemporary art, environmental humanities, and British studies.
A Biographical Dictionary of British and Irish Engravers, 1714-1820
Author: David Alexander
Publisher: A PRECISER
ISBN: 9781913107215
Category : Engravers
Languages : en
Pages : 1120
Book Description
The first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820 This biographical dictionary of engravers working on copper encompasses both those who produced fine art prints, and also those who engraved book illustrations for medical, technical and literary works, all of which played a more important part than is usually realised in spreading information in the age of Enlightenment. Some 3,000 biographical entries draw on much unpublished information, researched over four decades, notably records of apprenticeship, genealogy, insurance and bankruptcy as well as newspaper advertisements and contemporary accounts. This is the first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820. Many biographical entries describe celebrated engravers producing "fine art" prints of paintings, which spread knowledge about living and dead artists. However, this book also builds up a more complex picture of the occupation of printmaking and includes engravers, many previously unresearched, who engraved ephemeral material, such as trade cards, bank notes, and satirical prints as well as the images that spread knowledge across literary, geographical, historical, topographical, medical and technical fields.
Publisher: A PRECISER
ISBN: 9781913107215
Category : Engravers
Languages : en
Pages : 1120
Book Description
The first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820 This biographical dictionary of engravers working on copper encompasses both those who produced fine art prints, and also those who engraved book illustrations for medical, technical and literary works, all of which played a more important part than is usually realised in spreading information in the age of Enlightenment. Some 3,000 biographical entries draw on much unpublished information, researched over four decades, notably records of apprenticeship, genealogy, insurance and bankruptcy as well as newspaper advertisements and contemporary accounts. This is the first reference work to cover all engravers working on copper in Britain and Ireland 1714-1820. Many biographical entries describe celebrated engravers producing "fine art" prints of paintings, which spread knowledge about living and dead artists. However, this book also builds up a more complex picture of the occupation of printmaking and includes engravers, many previously unresearched, who engraved ephemeral material, such as trade cards, bank notes, and satirical prints as well as the images that spread knowledge across literary, geographical, historical, topographical, medical and technical fields.
India in Art in Ireland
Author: Kathleen James-Chakraborty
Publisher: Routledge
ISBN: 1351563025
Category : Art
Languages : en
Pages : 189
Book Description
India in Art in Ireland is the first book to address how the relationship between these two ends of the British Empire played out in the visual arts. It demonstrates that Irish ambivalence about British imperialism in India complicates the assumption that colonialism precluded identifying with an exotic other. Examining a wide range of media, including manuscript illuminations, paintings, prints, architecture, stained glass, and photography, its authors demonstrate the complex nature of empire in India, compare these empires to British imperialism in Ireland, and explore the contemporary relationship between what are now two independent countries through a consideration of works of art in Irish collections, supplemented by a consideration of Irish architecture and of contemporary Irish visual culture. The collection features essays on Rajput and Mughal miniatures, on a portrait of an Indian woman by the Irish painter Thomas Hickey, on the gate lodge to the Dromana estate in County Waterford, and a consideration of the intellectual context of Harry Clarke's Eve of St. Agnes window. This book should appeal not only to those seeking to learn more about some of Ireland's most cherished works of art, but to all those curious about the complex interplay between empire, anti-colonialism, and the visual arts.
Publisher: Routledge
ISBN: 1351563025
Category : Art
Languages : en
Pages : 189
Book Description
India in Art in Ireland is the first book to address how the relationship between these two ends of the British Empire played out in the visual arts. It demonstrates that Irish ambivalence about British imperialism in India complicates the assumption that colonialism precluded identifying with an exotic other. Examining a wide range of media, including manuscript illuminations, paintings, prints, architecture, stained glass, and photography, its authors demonstrate the complex nature of empire in India, compare these empires to British imperialism in Ireland, and explore the contemporary relationship between what are now two independent countries through a consideration of works of art in Irish collections, supplemented by a consideration of Irish architecture and of contemporary Irish visual culture. The collection features essays on Rajput and Mughal miniatures, on a portrait of an Indian woman by the Irish painter Thomas Hickey, on the gate lodge to the Dromana estate in County Waterford, and a consideration of the intellectual context of Harry Clarke's Eve of St. Agnes window. This book should appeal not only to those seeking to learn more about some of Ireland's most cherished works of art, but to all those curious about the complex interplay between empire, anti-colonialism, and the visual arts.
The New Larned History for Ready Reference, Reading and Research
Author: Josephus Nelson Larned
Publisher:
ISBN:
Category : History
Languages : en
Pages : 960
Book Description
Publisher:
ISBN:
Category : History
Languages : en
Pages : 960
Book Description
Historical Narratives of Global Modern Art
Author: Irina D. Costache
Publisher: Taylor & Francis
ISBN: 1000898059
Category : Art
Languages : en
Pages : 282
Book Description
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.
Publisher: Taylor & Francis
ISBN: 1000898059
Category : Art
Languages : en
Pages : 282
Book Description
Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of “isms.” This volume tells a worldwide story of art with expanded historical narratives of modernism. The chapters reflect on a wide range of issues, topics, and themes that have been marginalized or outright excluded from the canon of modern art. The goal of this book is to be a starting point for understanding modern art as a broad and inclusive field of study. The topics examine diverse formal expressions, innovative conceptual approaches, and various media used by artists around the world and forcefully acknowledge the connections between art, historical circumstances, political environments, and social issues such as gender, race, and social justice. The book will be of interest to scholars working in art history, imperial and colonial history, modernism, and globalization.