50 from the Fifties - Rock 'n' Roll Guitar Songbook PDF Download

Author: Jez Quayle
Publisher:
ISBN: 9781794798373
Category :
Languages : en
Pages : 112

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Author: Richard Meltzer
Publisher: Da Capo Press
ISBN: 9780306802874
Category : Music
Languages : en
Pages : 384

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This infamous book has enjoyed a lively underground reputation since its first publication in 1970. Richard Meltzer (a.k.a. R. Meltzer) took his training as a young philosopher and applied it with unalloyed enthusiasm to the lyrics, sound, and culture of rock and roll. Never before had anyone noticed the relationship between the philosophy of Heidegger and a tune by Little Anthony and the Imperials, heard the cries of agony in the Shangri Las' “Remember (Walkin' in the Sand)”, or transcribed every "papa-ooma-mow-mow" in the Trashmen's “Surfin' Bird.”From Dionne Warwick to Plato, Jim Morrison to Bert Brecht, Conway Twitty to Miguel de Unamuno, Meltzer subverts high and low culture in his search for meaning, emotion, and codes in popular music. At once an earnest investigation and a crypto put-on, the book can be read for its nuggets of information and insights or for its humor. Here with Greil Marcus's new introduction, yet another generation of readers can be outraged and inspired.

Author: Tim Morse
Publisher: Macmillan + ORM
ISBN: 1429937505
Category : Music
Languages : en
Pages : 248

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The first time on the open road with Dad's beat-up clunker and a brand-new driver's lecense. That first kiss. Practicing Steve Tyler moves in the garage. Lazy summer days with nothing to do but hang out with a group of friends and the radio. Classic Rock. In Classic Rock Stories, classic rockers reveal the sometimes painful, sometimes accidental, and often hilarious process of creating the songs that you can still sing aloud. In their own words, rockers like Pete Townshend, John Lennon, Stevie Nicks, Elton John, and Keith Richards tell about the drugs, the pain, the love gone bad, and the accidents that resulted in the hits.

Author:
Publisher:
ISBN:
Category : Chemical engineering
Languages : en
Pages : 518

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Author: Brock Helander
Publisher: Schirmer Trade Books
ISBN:
Category : Music
Languages : en
Pages : 486

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Book Description
The ultimate shopper's and buyer's guide, this comprehensive resource provides complete personnel of each group, the significant role of each group member, a narrative history of the group, analysis of key recordings, discography, and archival photos throughout the text. 40 illustrations.

Author: Toni Morrison
Publisher: Random House
ISBN: 1448103916
Category : Fiction
Languages : en
Pages : 379

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Lured South by tales of buried treasure, Milkman embarks on an odyssey back home. As a boy, Milkman was raised beneath the shadow of a status-obsessed father. As a man, he trails in the fiery wake of a friend bent on racial revenge. Now comes Milkman’s chance to uncover his own path. Along the way, he will lose more than he could have ever imagined. Yet in return, he will discover something far more valuable than gold: his past, his true self, his life-long dream of flight. ‘A complex, wonderfully alive and imaginative story’ Daily Telegraph ‘Song of Solomon...profoundly changed my life’ Marlon James INTRODUCED BY BOOKER PRIZE WINNING AUTHOR MARLON JAMES **Winner of the PEN/Saul Bellow award for achievement in American fiction**

Author: Rick Shefchik
Publisher: U of Minnesota Press
ISBN: 1452949743
Category : Music
Languages : en
Pages : 465

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If you didn’t experience rock and roll in Minnesota in the 1960s, this book will make you wish you had. This behind-the-scenes, up-close-and-personal account relates how a handful of Minnesota rock bands erupted out of a small Midwest market and made it big. It was a brief, heady moment for the musicians who found themselves on a national stage, enjoying a level of success most bands only dream of. In Everybody’s Heard about the Bird, Rick Shefchik writes of that time in vivid detail. Interviews with many of the key musicians, combined with extensive research and a phenomenal cache of rare photographs, reveal how this monumental era of Minnesota rock music evolved. The chronicle begins with musicians from the 1950s and early 1960s, including Augie Garcia, Bobby Vee, the Fendermen, and Mike Waggoner and the Bops. Shefchik looks at how a local recording studio and record label, along with Minnesota radio stations, helped make their achievements possible and prepared the way for later bands to break out nationally. Shefchik delves deeply into the Trashmen’s emblematic rise to fame. A Minneapolis band that recorded a fluke novelty hit called “Surfin’ Bird” at Kay Bank Studios, the Trashmen signed with Soma Records, topped the local charts in late 1963, and were poised to top the national charts in early 1964. Hundreds of Minnesota bands took inspiration from the Trashmen’s success, as teen dances with live bands flourished in clubs, ballrooms, gyms, and halls across the Upper Midwest. Here are the stories of bands like the Gestures, the Castaways, and the Underbeats, and the triumphs—and tragedies—of the most prominent Minnesota-spawned bands of the late 1960s, including Gypsy, Crow, and the Litter. For the baby boomers who remember it and everyone else who has felt its influence, the 1960s rock-and-roll scene in Minnesota was an extraordinary period both in musical history and popular culture, and now it’s captured fully in print for the first time. Everybody’s Heard about the Bird celebrates how these bands found their singular sound and played for their elated audiences from the golden era to today.

Author: Jack Hamilton
Publisher: Harvard University Press
ISBN: 0674416597
Category : Biography & Autobiography
Languages : en
Pages : 351

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By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.

Author: Jim Hurcomb
Publisher: FriesenPress
ISBN: 1525593366
Category : Music
Languages : en
Pages : 201

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Book Description
The music world exploded into Technicolor on February 9, 1964, when the Beatles appeared on the Ed Sullivan Show and ignited the music phenomenon dubbed “The British Invasion”. In the weeks and months to come, hundreds, perhaps thousands, of Ottawa teenagers put away their hockey sticks and picked up guitars, starting up bands in basements and garages, with visions of screaming girls and stardom dancing in their heads. For some, that dream came true, in packed High School Gymnasiums, Church basements, bowling alleys and every other venue they could find. Groups were working three or four nights a week on both sides of the Ottawa River. The Esquires, The Staccatos, The Townsmen, Don Norman and the Other Four and many others cut records that were as good as anything coming out of Britain or the States. DJ's Gord Atkinson, Nelson Davis and Al "Pussycat" Pascal make them stars by playing their records. Sandy Gardiner followed their exploits in his weekly "teen" column in the Ottawa Journal, and we checked out the weekly "Swing Set" to get the lowdown on the newest groups. From the day Elvis Presley came to town in 1957, to the release of The Five Man Electrical Band’s mega-hit “Signs”, we relive those memories with the bands, the clubs, the concerts and the colorful cast of characters who made it happen. Pull back the curtain on the magic of "Ottawa’s Golden Age of Rock and Roll”,

Author: Michael J. Kramer
Publisher: Oxford University Press, USA
ISBN: 0195384865
Category : History
Languages : en
Pages : 305

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Michael Kramer draws on new archival sources and interviews to explore sixties music and politics through the lens of these two generation-changing places--San Francisco and Vietnam. From the Acid Tests of Ken Kesey and the Merry Pranksters to hippie disc jockeys on strike, the military's use of rock music to "boost morale" in Vietnam, and the forgotten tale of a South Vietnamese rock band, The Republic of Rock shows how the musical connections between the City of the Summer of Love and war-torn Southeast Asia were crucial to the making of the sixties counterculture. The book also illustrates how and why the legacy of rock music in the sixties continues to matter to the meaning of citizenship in a global society today. --from publisher description