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Author: Marianna D’Ezio Publisher: Cambridge Scholars Publishing ISBN: 1443818917 Category : Literary Criticism Languages : en Pages : 285
Book Description
Scholars and readers who are interested in eighteenth-century British literature are surely familiar with Hester Lynch Thrale Piozzi in the light she came to be known in her lifetime and after: first, as the “formidable hostess” of Streatham House, South London, and then as an outcast from respectable eighteenth-century society after she had married the Italian piano teacher of her daughter. As a writer, her importance has long been that of a footnote to Samuel Johnson and as a consequence, she has been part of the official British literary canon only as a character. This volume introduces Hester Lynch Thrale Piozzi as a whole, trying to link her fascinating and subversive biography to her development as a writer, emphasizing the innovative issues of her works, her style and her social and personal beliefs. Piozzi’s biography is an interesting example of the dynamic scene of the late eighteenth century, where she was both conservative and subversive: she was an eccentric, and although her decision to marry the Italian singer and composer Gabriele Piozzi disgraced her, it was through this act of subversion that Hester Thrale Piozzi could finally make her own entrance into the world as a public writer. Once she had transgressed the social codes of so-called “feminine” behaviour, she was also ready to move into the public sphere, publish her works and make money out of them, pioneering several traditional literary genres through her passionate search for professional independence in the literary canon of the eighteenth century.
Author: Marianna D’Ezio Publisher: Cambridge Scholars Publishing ISBN: 1443818917 Category : Literary Criticism Languages : en Pages : 285
Book Description
Scholars and readers who are interested in eighteenth-century British literature are surely familiar with Hester Lynch Thrale Piozzi in the light she came to be known in her lifetime and after: first, as the “formidable hostess” of Streatham House, South London, and then as an outcast from respectable eighteenth-century society after she had married the Italian piano teacher of her daughter. As a writer, her importance has long been that of a footnote to Samuel Johnson and as a consequence, she has been part of the official British literary canon only as a character. This volume introduces Hester Lynch Thrale Piozzi as a whole, trying to link her fascinating and subversive biography to her development as a writer, emphasizing the innovative issues of her works, her style and her social and personal beliefs. Piozzi’s biography is an interesting example of the dynamic scene of the late eighteenth century, where she was both conservative and subversive: she was an eccentric, and although her decision to marry the Italian singer and composer Gabriele Piozzi disgraced her, it was through this act of subversion that Hester Thrale Piozzi could finally make her own entrance into the world as a public writer. Once she had transgressed the social codes of so-called “feminine” behaviour, she was also ready to move into the public sphere, publish her works and make money out of them, pioneering several traditional literary genres through her passionate search for professional independence in the literary canon of the eighteenth century.
Author: H. J. Jackson Publisher: Yale University Press ISBN: 9780300097207 Category : Literary Criticism Languages : en Pages : 344
Book Description
From Pierre de Fermat to Samuel Taylor Coleridge to Graham Greene, readers have related to books through the notes they write in the margins. In this pioneering book--the first to examine the phenomenon of marginalia--H.J. Jackson surveys an extraordinary range of annotated books to explore the history of marginalia, the forms they take, the psychology that underlies them, and the reactions they provoke. Based on a study of thousands of books annotated by readers both famous and obscure over the last three centuries, this book reveals the intensity of emotion that characterizes the process of reading. For hundreds of years, readers have talked to other people in the margins of their books--not only to authors, but also to friends, lovers, and future generations. With an infectious enthusiasm for her subject, Jackson reflects on the cultural and historical value of writing in the margins, examines works that have invited passionate annotation, and presents examples of some of the most provocative marginalia. Imaginative, amusing, and poignant, this book will be treasured by--and maybe even annotated by--anyone who cares about reading.
Author: Peter John Croft Publisher: Continuum ISBN: Category : Literary Criticism Languages : en Pages : 692
Book Description
This volume, the third in the series, discusses the works of 11 British 18th-century writers, providing information on the nature of the MS, date, variant title(s), state of completion, provenance and location, date and first form of publication, any scholarly use of the MS, and the existence of any published facsimiles. Information is drawn from material in libraries, record offices and private collections throughout the world. The listing of each author's manuscripts is preceded by an introduction. The book records many hitherto unrecorded manuscripts.
Author: Marianna D’Ezio
Author: Marianna D’Ezio
Author: David C. Sutton
Author: Margaret M. Smith
Author: H. J. Jackson
Author: British Museum. Dept. of Printed Books
Author: Peter John Croft
Author: Elizabeth Barrett Browning
Author: British Museum. Department of Printed Books
Author: Robert Browning
Author: Elizabeth Barrett Browning