Author: Anna SewardPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
2 letters from Anna Seward to Edward Williams
Author: Anna SewardRobert Southey: Poetical Works 1793–1810 Vol 2
Author: Lynda PrattPublisher: Routledge
ISBN: 1000748448
Category : Language Arts & Disciplines
Languages : en
Pages : 575
Book Description
This edition of Robert Southey's early poetry seeks to restore Southey the poet to his place at the centre of late 18th and early 19th century British literary culture. This collection of his poetical works critically reassesses Southey's epics and romances.
Letters of Anna Seward
Author: Anna SewardHelen Maria Williams and the Age of Revolution
Author: Deborah KennedyPublisher: Bucknell University Press
ISBN: 9780838755112
Category : Biography & Autobiography
Languages : en
Pages : 294
Book Description
Eventually settling in Paris with her mother and two sisters, Williams hosted a Parisian salon that was frequented by many of Europe's most important politicians, artists, writers, and thinkers, including J. P. Brissot, Madame Roland, Mary Wollstonecraft, Thaddeus Kosciuszko, and Alexander von Humboldt.".
Letters Of Anna Seward
Author: Anna SewardPublisher: Legare Street Press
ISBN: 9781020115349
Category :
Languages : en
Pages : 0
Book Description
This collection of letters by Anna Seward, a prominent 18th-century writer and correspondent, offers a fascinating glimpse into the literary and social culture of the time. It includes letters to and from Seward's friends and colleagues, as well as her own reflections on literature, politics, and personal matters. The introduction and annotations by E.B. Dewing provide context and insight for modern readers. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Anna Seward: A Constructed Life
Author: Teresa BarnardPublisher: Routledge
ISBN: 1317180674
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
In her critical biography of Anna Seward (1742-1809), Teresa Barnard examines the poet's unpublished letters and manuscripts, providing a fresh perspective on Seward's life and historical milieu that restores and problematizes Seward's carefully constructed narrative of her life. Of the poet Anna Seward, it may be said with some veracity that hers was an epistolary life. What is known of Seward comes from six volumes of her letters and from juvenile letters that prefaced her books of poetry, all published posthumously. That Seward intended her correspondence to serve as her autobiography is clear, but she could not have anticipated that the letters she intended for publication would be drastically edited and censored by her literary editor, Walter Scott, and by her publisher, Archibald Constable. Stripped of their vitality and much of their significance, the published letters omit telling tales of the intricacies of the marriage market and Seward's own battles against gender inequality in the educational and workplace spheres. Seward's correspondents included Erasmus Darwin, William Hayley, Helen Maria Williams, and Robert Southey, and her letters are packed with stories and anecdotes about her friends' lives and characters, what they looked like, and how they lived. Particularly compelling is Barnard's discussion of Seward's astonishing last will and testament, a twenty-page document that summarizes her life, achievements, and self-definition as a writing woman. Barnard's biography not only challenges what is known about Seward, but provides new information about the lives and times of eighteenth-century writers.
The Afterlife of Character, 1726-1825
Author: David A. BrewerPublisher: University of Pennsylvania Press
ISBN: 0812201434
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The Afterlife of Character, 1726-1825 reconstructs how eighteenth-century British readers invented further adventures for beloved characters, including Gulliver, Falstaff, Pamela, and Tristram Shandy. Far from being close-ended and self-contained, the novels and plays in which these characters first appeared were treated by many as merely a starting point, a collective reference perpetually inviting augmentation through an astonishing wealth of unauthorized sequels. Characters became an inexhaustible form of common property, despite their patent authorship. Readers endowed them with value, knowing all the while that others were doing the same and so were collectively forging a new mode of virtual community. By tracing these practices, David A. Brewer shows how the literary canon emerged as much "from below" as out of any of the institutions that have been credited with their invention. Indeed, he reveals the astonishing degree to which authors had to cajole readers into granting them authority over their own creations, authority that seems self-evident to a modern audience. In its innovative methodology and its unprecedented attention to the productive interplay between the audience, the book as a material artifact, and the text as an immaterial entity, The Afterlife of Character, 1726-1825 offers a compelling new approach to eighteenth-century studies, the history of the book, and the very idea of character itself.
Radical Sensibility
Author: Chris JonesPublisher: Routledge
ISBN: 1317245369
Category : Literary Criticism
Languages : en
Pages : 199
Book Description
First published in 1993. Radical Sensibility provides a detailed account of the interrelations of literature, ideas and history in the eighteenth century’s Revolutionary decade. The book traces a continuity of ideas from Shaftesbury to Godwin and Wollstonecraft, and sets it beside a conservative tradition established in the work of Hume and Adam Smith. As a guide to the transformations of ‘sensibility’ as a concept, Jones examines the trajectories of three writers who work spans the decade: Charlotte Smith, Helen Maria Williams, and the early Wordsworth. A mixture of literary textual analysis and historical and political documentation, Radical Sensibility will be important reading for students and teachers of poetry, ideas and the novel.
Reading and Not Reading The Faerie Queene
Author: Catherine NicholsonPublisher: Princeton University Press
ISBN: 0691201595
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
The four-hundred-year story of readers' struggles with a famously unreadable poem—and what they reveal about the history of reading and the future of literary studies "I am now in the country, and reading in Spencer's fairy-queen. Pray what is the matter with me?" The plaint of an anonymous reader in 1712 sounds with endearing frankness a note of consternation that resonates throughout The Faerie Queene's reception history, from its first known reader, Spenser's friend Gabriel Harvey, who urged him to write anything else instead, to Virginia Woolf, who insisted that if one wants to like the poem, "the first essential is, of course, not to read" it. For more than four centuries critics have sought to counter this strain of readerly resistance, but rather than trying to remedy the frustrations and failures of Spenser's readers, Catherine Nicholson cherishes them as a sensitive barometer of shifts in the culture of reading itself. Indeed, tracking the poem's mixed fortunes in the hands of its bored, baffled, outraged, intoxicated, obsessive, and exhausted readers turns out to be an excellent way of rethinking the past and future prospects of literary study. By examining the responses of readers from Queen Elizabeth and the keepers of Renaissance commonplace books to nineteenth-century undergraduates, Victorian children, and modern scholars, this book offers a compelling new interpretation of the poem and an important new perspective on what it means to read, or not to read, a work of literature.
Author: Anna Seward