Author: New York Public Library. Music DivisionPublisher:
ISBN:
Category : Music
Languages : en
Pages : 928
Book Description
Bibliographic Guide to Music
Author: New York Public Library. Music DivisionPublisher:
ISBN:
Category : Music
Languages : en
Pages : 928
Book Description
The Cambridge History of Medieval Music
Author: Mark EveristPublisher: Cambridge University Press
ISBN: 1108577075
Category : Music
Languages : en
Pages :
Book Description
Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.
William Byrd and His Contemporaries
Author: Philip BrettPublisher: Univ of California Press
ISBN: 0520247582
Category : Biography & Autobiography
Languages : en
Pages : 267
Book Description
Publisher description
The Renewal of Pagan Antiquity
Author: Aby WarburgPublisher: Getty Publications
ISBN: 9780892365371
Category : Art
Languages : en
Pages : 872
Book Description
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Western Plainchant
Author: David HileyPublisher: Oxford University Press
ISBN: 9780198165729
Category : Music
Languages : en
Pages : 764
Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
The National Union Catalog
Author: Manuscripts and Medieval Song
Author: Helen DeemingPublisher: Cambridge University Press
ISBN: 1107062632
Category : Language Arts & Disciplines
Languages : en
Pages : 347
Book Description
This in-depth exploration of key manuscript sources reveals new information about medieval songs and sets them in their original contexts.
Library of Congress Catalog
Author: Library of CongressPublisher:
ISBN:
Category : Music
Languages : en
Pages : 1114
Book Description
A cumulative list of works represented by Library of Congress printed cards.
The Rise of European Music, 1380-1500
Author: Reinhard StrohmPublisher: Cambridge University Press
ISBN: 9780521619349
Category : Music
Languages : en
Pages : 744
Book Description
This is a detailed and comprehensive survey of music in the late middle ages and early Renaissance. By limiting its scope to the 120 years which witnessed perhaps the most dramatic expansion of our musical heritage, the book responds, in the 1990s, to the tremendous increase in specialised research and public awareness of that period. Three of the four main Parts (I, II, IV) describe the development of polyphony and its cultural contexts in many European countries, from the successors of Machaut (d. 1377) to the achievements of Josquin des Prez and his contemporaries working in Renaissance Italy around 1500. Part III, by contrast, illustrates the musical life of the institutions, and musical practices outside the realm of composed polyphony that were traditional and common all over Europe. The book proposes fresh views in each chapter, discussing dozens of musical examples adducing well-known and hitherto unknown documents, and referring to and evaluating the most recent scholarship in the field.
Author: