Author: Museum of New Mexico. Art Gallery
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 32
Book Description
1954 Annual Exhibition for New Mexico Artists
Author: Museum of New Mexico. Art Gallery
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 32
Book Description
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 32
Book Description
1954 Annual Exhibition for New Mexico Artists
Drawing the Line
Author: Christina Bryan Rosenberger
Publisher: Univ of California Press
ISBN: 0520288246
Category : Art
Languages : en
Pages : 256
Book Description
Agnes MartinÕs (1912Ð2004) celebrated grid paintings are widely acknowledged as a touchstone of postwar American art and have influenced many contemporary artists. MartinÕs formative years, however, have been largely overlooked. In this revelatory study of MartinÕs early artistic production, Christina Bryan Rosenberger demonstrates that the rapidly evolving creative processes and pictorial solutions Martin developed between 1940 and 1967 define all her subsequent art. Beginning with MartinÕs initiation into artistic language at the University of New Mexico and concluding with the reception of her grid paintings in New York in the early 1960s, Rosenberger offers vivid descriptions of the networks of art, artists, and information that moved between New Mexico and the creative centers of New York and California in the postwar period. She also documents MartinÕs exchanges with artists including Ellsworth Kelly, Barnett Newman, Georgia OÕKeeffe, Ad Reinhardt, and Mark Rothko, among others. Rosenberger uses original analysis of MartinÕs art, as well as a rich array of archival materials, to situate MartinÕs art within the context of a dynamic historical moment. With a lively, innovative approach informed by art history and conservation, this fluidly written book makes a substantial contribution to the history of postwar American art.
Publisher: Univ of California Press
ISBN: 0520288246
Category : Art
Languages : en
Pages : 256
Book Description
Agnes MartinÕs (1912Ð2004) celebrated grid paintings are widely acknowledged as a touchstone of postwar American art and have influenced many contemporary artists. MartinÕs formative years, however, have been largely overlooked. In this revelatory study of MartinÕs early artistic production, Christina Bryan Rosenberger demonstrates that the rapidly evolving creative processes and pictorial solutions Martin developed between 1940 and 1967 define all her subsequent art. Beginning with MartinÕs initiation into artistic language at the University of New Mexico and concluding with the reception of her grid paintings in New York in the early 1960s, Rosenberger offers vivid descriptions of the networks of art, artists, and information that moved between New Mexico and the creative centers of New York and California in the postwar period. She also documents MartinÕs exchanges with artists including Ellsworth Kelly, Barnett Newman, Georgia OÕKeeffe, Ad Reinhardt, and Mark Rothko, among others. Rosenberger uses original analysis of MartinÕs art, as well as a rich array of archival materials, to situate MartinÕs art within the context of a dynamic historical moment. With a lively, innovative approach informed by art history and conservation, this fluidly written book makes a substantial contribution to the history of postwar American art.
Forty-first Open Door Exhibition, "The Fiesta-show", New Mexico Painters, Sculptors and Craftsmen, Aug. 22-Sept. 30, 1954
Author: Museum of New Mexico
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 16
Book Description
Director's Statement
Author: School of American Research (Santa Fe, N.M.)
Publisher:
ISBN:
Category : America
Languages : en
Pages : 634
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 634
Book Description
Forty-first Open Door Exhibition
Annual Report
Author: School of American Research (Santa Fe, N.M.)
Publisher:
ISBN:
Category : America
Languages : en
Pages : 82
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 82
Book Description
Native Moderns
Author: Bill Anthes
Publisher: Duke University Press
ISBN: 9780822338666
Category : Art
Languages : en
Pages : 330
Book Description
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
Publisher: Duke University Press
ISBN: 9780822338666
Category : Art
Languages : en
Pages : 330
Book Description
This lavishly illustrated art history situates the work of pioneering mid-twentieth-century Native American artists within the broader canon of American modernism.
El Palacio
Understanding Modern Art
Author: David R Beasley
Publisher: David Beasley
ISBN: 0915317109
Category : Art
Languages : en
Pages : 162
Book Description
150 p., 154 illus. 74 in color, Soft cover. ISBN 0-915317-10-9 $10 “This eminently readable, vivid account of the American artist, Clay Edgar Spohn (1898-1977) provides numerous revelations about modern art, isms, and art institutions.... By 1948 Abstract Expressionism became a recognized "School" and Marcel Duchamp's anti-art was being transcended by Spohn's Assemblage-art, and ‘Discovered Objects.’... This portrait mirrors again the fate of artists who "follow their own direction" without compromise to the establishment of the day or the market, and present a challenge to contemporary society,” Maria Maryniak. “... Spohn’s, The Ballet of the Elements (front cover). San Francisco art critic Tom Albright described this painting exhibited with the best works of West Coast painters, “...with its stripe-like allusions to landscape under a ‘sky’ of fluid, shorthand squiggles, is altogether unique in this context (i.e. the projection still of the fervor, the desperation, the iconoclasm and ethical commitment etc. that went into them) and perhaps for that reason stands out as the exhibition’s most monumental single masterpiece."
Publisher: David Beasley
ISBN: 0915317109
Category : Art
Languages : en
Pages : 162
Book Description
150 p., 154 illus. 74 in color, Soft cover. ISBN 0-915317-10-9 $10 “This eminently readable, vivid account of the American artist, Clay Edgar Spohn (1898-1977) provides numerous revelations about modern art, isms, and art institutions.... By 1948 Abstract Expressionism became a recognized "School" and Marcel Duchamp's anti-art was being transcended by Spohn's Assemblage-art, and ‘Discovered Objects.’... This portrait mirrors again the fate of artists who "follow their own direction" without compromise to the establishment of the day or the market, and present a challenge to contemporary society,” Maria Maryniak. “... Spohn’s, The Ballet of the Elements (front cover). San Francisco art critic Tom Albright described this painting exhibited with the best works of West Coast painters, “...with its stripe-like allusions to landscape under a ‘sky’ of fluid, shorthand squiggles, is altogether unique in this context (i.e. the projection still of the fervor, the desperation, the iconoclasm and ethical commitment etc. that went into them) and perhaps for that reason stands out as the exhibition’s most monumental single masterpiece."