The Complete Graphic Work of Jack Levine PDF Download

Author: Jack Levine
Publisher: Courier Corporation
ISBN: 0486244814
Category : Design
Languages : en
Pages : 114

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Book Description
This volume features the never-before-published prints of corrupt politicians, gangsters, Hebrew sages, fascist generals, mythological figures, and much more by the major American artist and social commentator, Jack Levine. Plate-by-plate commentaries. Introduction. Biographical Outline. 84 black-and-white illustrations.

Author: Peter H. Falk
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 476

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Book Description

Author: Sarah Kelly Oehler
Publisher: Yale University Press
ISBN: 0300232985
Category : Art
Languages : en
Pages : 249

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Book Description
A revelatory reassessment of one of the most influential American artists of the 20th century Charles White (1918–1979) is best known for bold, large-scale paintings and drawings of African Americans, meticulously executed works that depict human relationships and socioeconomic struggles with a remarkable sensitivity. This comprehensive study offers a much-needed reexamination of the artist’s career and legacy. With handsome reproductions of White’s finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his insistent dedication to producing positive social change through art. Tracing White’s career from his emergence in Chicago to his mature practice as an artist, activist, and educator in New York and Los Angeles, leading experts provide insights into White’s creative process, his work as a photographer, his political activism and interest in history, the relationship between his art and his teaching, and the importance of feminism in his work. A preface by Kerry James Marshall addresses White’s significance as a mentor to an entire generation of practitioners and underlines the importance of this largely overlooked artist.

Author: Whitney Museum of American Art
Publisher: Hassell Street Press
ISBN: 9781014120205
Category :
Languages : en
Pages : 28

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Clare Davies
Publisher: Metropolitan Museum of Art
ISBN: 1588397483
Category : Art
Languages : en
Pages : 176

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Book Description
Louise Bourgeois (1911–2010) is celebrated today for her sculptures. Less known are the paintings she produced between her arrival in New York in 1938 and her turn to three-dimensional media in 1949. Crucial to her artistic practice, these early works—the focus of this groundbreaking publication—show how Bourgeois evolved her deeply personal artistic lexicon, and how the themes and motifs she explored in her paintings coalesced into symbols of her sculptural practice. Informed by new archival research and the artist's extensive diaries, Louise Bourgeois: Paintings explores Bourgeois's relationship to the New York art world of the 1940s and her development of a unique pictorial language, adding a key element to our understanding of this crucial artist’s career.

Author: Ad Reinhardt
Publisher: Richter Verlag
ISBN:
Category : Art
Languages : en
Pages : 200

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Book Description
The paintings of the American artist, Ad Reinhardt were from the start defined by their clear geometrical forms. Reinhardt, who before his training as a painter had received a degree in art history, rejected any kind of fusion between art and life or any mystification of painting. Around 1953 he did his first black paintings in which every tendency to colour seemed to fade. From 1960 his paintings were all only black, which he himself described as the 'last paintings that anyone can paint. 'The encounter between Ad Reinhardt and Josef Albers in 1952 - 1953 and their ensuing dialogues on the meaning of colour within the painting process were For The young Reinhardt an important impulse on his path towards his black paintings. Presented in this book is his oeuvre from the end of the 1930s To The late works; their special relevance can be recognised in juxtaposition with the works of Josef Albers.

Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 888

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Book Description

Author: Kevin J. Avery
Publisher: Metropolitan Museum of Art
ISBN: 1588390608
Category : Drawing
Languages : en
Pages : 426

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Book Description
"The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.

Author: David R Beasley
Publisher: David Beasley
ISBN: 0915317109
Category : Art
Languages : en
Pages : 162

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Book Description
150 p., 154 illus. 74 in color, Soft cover. ISBN 0-915317-10-9 $10 “This eminently readable, vivid account of the American artist, Clay Edgar Spohn (1898-1977) provides numerous revelations about modern art, isms, and art institutions.... By 1948 Abstract Expressionism became a recognized "School" and Marcel Duchamp's anti-art was being transcended by Spohn's Assemblage-art, and ‘Discovered Objects.’... This portrait mirrors again the fate of artists who "follow their own direction" without compromise to the establishment of the day or the market, and present a challenge to contemporary society,” Maria Maryniak. “... Spohn’s, The Ballet of the Elements (front cover). San Francisco art critic Tom Albright described this painting exhibited with the best works of West Coast painters, “...with its stripe-like allusions to landscape under a ‘sky’ of fluid, shorthand squiggles, is altogether unique in this context (i.e. the projection still of the fervor, the desperation, the iconoclasm and ethical commitment etc. that went into them) and perhaps for that reason stands out as the exhibition’s most monumental single masterpiece."

Author: Josef Helfenstein
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 162

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Book Description
Complex and highly idiosyncratic, the work of Louise Bourgeois enthralls audiences throughout the world. Beginning in the 1940s, shortly after arriving in New York City, Bourgeois produced her first mature, highly original paintings, drawings, and sculptures. While most of her contemporaries were drawn toward pure abstraction, the work of Louise Bourgeois entered the realm of the psychological and symbolic. Themes already evident in these early works continued to resonate throughout her career. The Personages represent her first explorations in sculpture; summoning a physical presence, they suggest moments of alienation as well as evocative encounters. This comprehensive catalogue features the artist's work from the 1940s and 1950s, including 25 sculptures, 17 paintings, 30 drawings, and the series of prints inspired by New York's landscape of skyscrapers, "He Disappeared into Complete Silence," which presents Bourgeois' own hermetic texts juxtaposed with enigmatic pictures. An essay explicates the role of ritual and representation in the work of Louise Bourgeois and includes rare documentary photos. Josef Helfenstein is director of Krannert Art Museum at the University of Illinois at Urbana-Champaign.