1900s, 1910s Decorative Art PDF Download

Author: Charlotte Fiell
Publisher: Taschen America Llc
ISBN: 9783822860502
Category : Design
Languages : de
Pages : 575

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Book Description
About decorative art in the 1900s and 1910s.

Author: Charlotte Fiell
Publisher:
ISBN:
Category : Decorative arts
Languages : de
Pages :

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Book Description

Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352

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Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.

Author: Charlotte Fiell
Publisher:
ISBN:
Category : Decorative Arts
Languages : en
Pages : 575

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Book Description

Author: Yvonne Brunhammer
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 294

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Book Description

Author: Mengting Yu
Publisher: Springer Nature
ISBN: 9811557055
Category : Art
Languages : en
Pages : 220

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Book Description
Drawing on untapped archives, as well as aggregating a wide range of existing published sources, this book recalibrates the understanding of women artists’ roles, outputs and receptions in London during what was indubitably a vibrant and innovative period in the history of British art, and in which the work of their male contemporaries is so well understood. The book takes its starting point from Alicia Foster’s article “Gwen John’s Self-Portrait: Art, Identity and Women Students at the Slade School,” published in 2000, where the expression “a talented and decorative group” was coined to describe common attitudes towards women artists in the late 19th and early 20th century London. This pejorative attribution strongly implied a status less significant to that of their male counterparts. The author challenges this statement's basic tenet by casting a wide net in examining women’s art education from the Slade School of Fine Art, through to the role of its graduates within a selection of London’s exhibition groups, societies and publications. This book also reconstructs ‘from scratch’ the role of the Women’s International Art Club (WIAC), hitherto entirely overlooked in art historical studies of the era. This book will be of interest to students and researchers in art and cultural history, gender studies,and in sociological studies of pre-War World War Britain.

Author: Charlotte Fiell
Publisher:
ISBN: 9783836588904
Category :
Languages : en
Pages : 576

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Author: AA.VV.
Publisher: ICOM - ICDAD
ISBN: 9729496285
Category : Art
Languages : en
Pages : 164

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Book Description
Proceedings of the Annual Conference of the ICDAD - International Committee for Museums and Collections of Decorative Arts and Design. Online, 21-23 October 2021. Publisher: ICOM - International Council of Museums.

Author: David Raizman
Publisher: Laurence King Publishing
ISBN: 1529419751
Category : Art
Languages : en
Pages : 975

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Book Description
This unparalleled and wide-ranging book surveys the history of applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social and commercial contexts in which this relationship has developed. In this extensively revised and expanded third edition, David Raizman addresses international questions more fully with the addition of six Global Inspiration sections that examine the contributions of non-Western traditions, rendering the very notion of a 'national' design debatable. The text also pays closer attention to issues of gender, race, and climate change, and their impact on design. With over 580 illustrations, mostly in colour, History of Modern Design is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study.

Author: Shirley Moody-Turner
Publisher: Cambridge University Press
ISBN: 1108386571
Category : Literary Criticism
Languages : en
Pages : 653

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Book Description
African American Literature in Transition, 1900–1910 offers a wide ranging, multi-disciplinary approach to early twentieth century African American literature and culture. It showcases the literary and cultural productions that took shape in the critical years after Reconstruction, but before the Harlem Renaissance, the period known as the nadir of African American history. It undercovers the dynamic work being done by Black authors, painters, photographers, poets, editors, boxers, and entertainers to shape 'New Negro' identities and to chart a new path for a new century. The book is structured into four key areas: Black publishing and print culture; innovations in genre and form; the race, class and gender politics of literary and cultural production; and new geographies of Black literary history. These overarching themes, along with the introduction of established figures and movement, alongside lesser known texts and original research, offer a radical re-conceptualization of this critical, but understudied period in African American literary history.