Vernacular Psalters and the Early Rise of Linguistic Identities PDF Download

Author: Vladimir Agrigoroaei
Publisher:
ISBN: 9786069475157
Category : Psalters
Languages : en
Pages : 173

View

Book Description

Author: David Crook
Publisher: Princeton University Press
ISBN: 1400863783
Category : Music
Languages : en
Pages : 312

View

Book Description
After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory, David Crook focuses on the forty parody or imitation Magnificats, which Lasso based on motets, madrigals, and chansons written by such composers as Josquin and Rore. By examining these Magnificats in their social, historical, and liturgical contexts and in terms of composition theory, Crook opens a new window on the breadth and subtlety of an important composer often harshly judged on his use of preexistent music. Crook places Lasso amidst the Counter-Reformation reforms at the Bavarian court where he composed the Magnificats, and where there emerged a fanatical Marian cult that favored this genre. In a section on compositional procedure, Crook explains that Lasso abandoned the traditional eight psalm-tone melodies in his imitation Magnificats, considers the new ways he found to represent the tones, and describes how Lasso's experimentation reflected the complex relationship between mode and tone in Renaissance theory and practice. Arguing that Lasso's varied uses of preexistent music defy current definitions of parody technique, Crook, in his final chapter, reveals the imitation Magnificats as vastly more imaginative and innovative than previous characterizations suggest. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Keith Sidwell
Publisher: Cambridge University Press
ISBN: 9780521447478
Category : Foreign Language Study
Languages : la
Pages : 422

View

Book Description
Reading Medieval Latin is an introduction to medieval Latin in its cultural and historical context and is designed to serve the needs of students who have completed the learning of basic classical Latin morphology and syntax. (Users of Reading Latin will find that it follows on after the end of section 5 of that course.) It is an anthology, organised chronologically and thematically in four parts. Each part is divided into chapters with introductory material, texts, and commentaries which give help with syntax, sentence-structure, and background. There are brief sections on medieval orthography and grammar, together with a vocabulary which includes words (or meanings) not found in standard classical dictionaries. The texts chosen cover areas of interest to students of medieval history, philosophy, theology, and literature.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

View

Book Description

Author: George Milligan
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 326

View

Book Description

Author: ISAIAH MACWEALTH
Publisher: GP Publisher
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 445

View

Book Description
As we will see in this book, an altar is a technology for communicating and teleporting between two realms. It is a mystery that is replete all over the scriptures from Genesis to Revelation. Before the Law, the revelation of altars existed, and in the Law, altars existed. We also see altars in the New Testament, and even in the Book of Revelation. The revelation of altars is thus key to spiritual power, and this is why the people of the occult world and the kingdom of Satan do not joke with it. Unfortunately, the church that should be the custodian of the revelation of altars has since lost its principles. Churches now have stages instead of altars. This is sad. In the past, kings and other great leaders revered the church. It was the Queen of Scotland that said, 'I fear the prayers of John Knox more than all the assembled armies of Europe’. Where is the Lord God of Elijah who fought the prophets of Baal after repairing the altar of God? Where is the Lord God of Moses who brought Israel out of Egypt and parted the Red Sea. Where is the God of Joshua who caused time to stand still? As a church and as individuals, if we would see the power of God as of old, we must learn again the principle of altars. We must set our hearts to understand sacrifice, the blood of Jesus, and the power of prayer. We must understand how to set up an altar and learn how to shut and open portals in the realm of the spirit through the technology of altars. We must also learn how to legalize and criminalize altars, and how to furnish our altars with blood. We must not be ignorant of the impact of family altars and the altars through which we are attacked as the Body of Christ. We must align our heart altar with heaven's altar to bring heaven's power to the earth as only the power of God can do the work of God. In this book, I will share with you many deep secrets, many of which will be new to you. I advise you to take time to meditate and research for yourself. The Lord has trusted me with so much revelation for our day, and not only have I taught these, I have seen the results and testimonies abound. This is why in the appendix of this book, I have shared testimonies from some of the people who have practiced the revelation published in this book because the results cannot lie. I pray for you that as you read, you will receive insights by the power of the Holy Ghost. God bless you!

Author: USCCB Publishing
Publisher: USCCB
ISBN: 9781601370228
Category : Music
Languages : en
Pages : 80

View

Book Description
Sing to the Lord: Music in Divine Worship provides basic guidelines for understanding the role and ministry of music in the liturgy. An excellent resource for priests, deacons, and music ministers!

Author: Josquin Des Prez
Publisher: Alfred Music
ISBN: 9781457481345
Category : Music
Languages : la
Pages : 32

View

Book Description
A choral worship collection, composed by Josquin Des Prez. Titles: * 1. In principio erat verbum (4 voices, a cappella) * 2. Responsum acceperat Simeon (6 voices, a cappella) * 3. Tulerunt Dominum meum (8 voices, a cappella)

Author: Deborah McGrady
Publisher: BRILL
ISBN: 9004225811
Category : Biography & Autobiography
Languages : en
Pages : 435

View

Book Description
This collection provides a comprehensive reading of Machaut’s literary and musical corpus that privileges his engagement with contemporary political, ethical, and aesthetic concerns of late medieval culture as well as his reception by artists and thinkers, medieval and modern.

Author: Lewis Lockwood
Publisher: Oxford University Press
ISBN: 0199703000
Category : Music
Languages : en
Pages : 425

View

Book Description
Based on extensive documentary and archival research, Music in Renaissance Ferrara is a documentary history of music for one of the most important city-states of the Italian Renaissance. Lockwood shows how patrons and musicians created a musical center over the course of the fifteenth-century, tracing the growth of music and musical life in rich detail. It also sheds new light on the careers of such important composers as Dufay, Martini, Obrecht, and Josquin Desprez. This paperback edition features a new preface that re-introduces the book and reflects on its contribution to our modern knowledge of music in the culture of the Italian Renaissance.