The Ampleforth Journal PDF Download

Author:
Publisher:
ISBN:
Category : Benedictine movement (Anglican Communion)
Languages : en
Pages : 562

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Author: Publishing Wrth
Publisher: WRTH Publications
ISBN: 9780823077946
Category : Radio broadcasting
Languages : en
Pages : 0

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The most comprehensive source available on medium wave, shortwave, FM broadcast, and television broadcast information, this handbook continues to be the ultimate guide for the serious radio listener.

Author: Nigel Leask
Publisher: OUP Oxford
ISBN: 0191591459
Category : Literary Criticism
Languages : en
Pages : 368

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Book Description
Robert Burns and Pastoral is a full-scale reassessment of the writings of Robert Burns (1759-1796), arguably the most original poet writing in the British Isles between Pope and Blake, and the creator of the first modern vernacular style in British poetry. Although still celebrated as Scotland's national poet, Burns has long been marginalised in English literary studies worldwide, due to a mistaken view that his poetry is linguistically incomprehensible and of interest to Scottish readers only. Nigel Leask challenges this view by interpreting Burns's poetry as an innovative and critical engagement with the experience of rural modernity, namely to the revolutionary transformation of Scottish agriculture and society in the decades between 1760 and 1800, thereby resituating it within the mainstream of the Scottish and European enlightenments. Detailed study of the literary, social, and historical contexts of Burns's poetry explodes the myth of the 'Heaven-taught ploughman', revealing his poetic artfulness and critical acumen as a social observer, as well as his significance as a Romantic precursor. Leask discusses Burns's radical decision to write 'Scots pastoral' (rather than English georgic) poetry in the tradition of Allan Ramsay and Robert Fergusson, focusing on themes of Scottish and British identity, agricultural improvement, poetic self-fashioning, language, politics, religion, patronage, poverty, antiquarianism, and the animal world. The book offers fresh interpretations of all Burns's major poems and some of the songs, the first to do so since Thomas Crawford's landmark study of 1960. It concludes with a new assessment of his importance for British Romanticism and to a 'Four Nations' understanding of Scottish literature and culture.

Author: Edvard Grieg
Publisher:
ISBN:
Category : Suites (String orchestra)
Languages : en
Pages : 70

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Author: Library of Congress
Publisher:
ISBN:
Category : Audio-visual materials
Languages : en
Pages : 890

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Book Description
A cumulative list of works represented by Library of Congress printed cards.

Author: Gretchen A. Wheelock
Publisher: MacMillan Publishing Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 296

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"Wit, humor, and comic effects have been commonly noted in accounts of Joseph Haydn's instrumental music from his own day to ours. Haydn's Ingenious Jesting with Art is a unique critical and historical study of this celebrated aspect of the composer's music and the key role of listeners in its success. "Artful jesting" indicates a strategy that involves the listener as an active interpreter of compositional alternatives in a musical work. Wheelock discusses how Haydn, utilizing the subversive potential of wit in a variety of classical forms, genres, and venues, both challenged and affirmed the musical conventions of his day." "The book is divided into three sections, each providing a different perspective on the wit and humor of Haydn's music. Part I, "Coming to Terms," takes a multidisciplinary approach to issues of compositional intent and reception history, focusing on changing values of wit and humor in late eighteenth-century literary sources and reviews of Haydn's music. Chapter 1, "The Musical Joke: A Laughing Matter?" details the productive role of humor in heightening consciousness of play with the most basic classical conventions. Dependent on often subtle ambiguities, these musical jokes challenged listeners' understanding of how convention and invention should interact, engaging them as participants themselves in a process of completing the jest. Chapter 2 traces important distinctions between wit and humor in a broad range of eighteenth-century sources, both German and English. Chapter 3 examines the critical understanding of the composer as humorist. Such views - both favorable and unfavorable - are inextricably linked with changing attitudes toward the proper role of instrumental music, popular taste, and the role of the composer in fulfilling expectations of increasingly mixed audiences." "Part II, "Frames of Reference," establishes several models for investigating the process of jesting in Haydn's instrumental works. Chapter 4 explores incongruous manners in the composer's symphonic minuets. Wheelock argues that Haydn's fusing of strictly academic and more popular dance styles subverted the measured dignity and refinement of a "proper" minuet, and that such disturbances of the "humors" actually helped to activate the discovery of wit. Chapter 5, "Engaging Wit in the Chamber," examines the metaphor of conversation in connection with Haydn's Opus 33 string quartets, presenting a convincing case that as the voices of the quartet listen and respond to each other the audience is simultaneously engaged in actively mediating this complex dialogue. Chapter 6 explores the deceptions involved in the symphonic finales, where eccentric motives and procedures focus listeners' attention on predicting their progress. Chapter 7, "The Paradox of Distraction," takes theatrical comedy as a point of departure in locating numerous comic devices akin to fixation, memory lapses, digressions, and incongruous juxtapositions of melody and rhythm." "Part III, "The Implicated Listener," examines how Haydn transformed humorous rhetoric into a new aesthetic, and considers the broader implications of comic procedures in instrumental music of the Classic era." "Haydn's Ingenious Jesting with Art combines a historical and social perspective with strong critical analysis, appealing not only to students of Haydn's music but also to those interested in the Classic style in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Wolfgang Amadeus Mozart
Publisher:
ISBN: 9780193870963
Category :
Languages : en
Pages : 0

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Arranged for clarinet and piano from Serenade for Wind Instuments K.361

Author: Etienne Loulié
Publisher: Brooklyn, N.Y. : Institute of Mediaeval Music
ISBN:
Category : Metronome
Languages : en
Pages : 132

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Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
ISBN: 110701381X
Category : Music
Languages : en
Pages : 613

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Book Description
Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).

Author: David E. Walker
Publisher: Hassell Street Press
ISBN: 9781013763526
Category :
Languages : en
Pages : 48

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.