Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description
Bibliographic Guide to Music
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
Book Description
Music in the Baroque Era, from Monteverdi to Bach
Author: Manfred F. Bukofzer
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 489
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 489
Book Description
Baroque Music
Author: John H. Baron
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 618
Book Description
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 618
Book Description
Performing Baroque Music
Author: Mary Cyr
Publisher:
ISBN: 9781574670431
Category : Music
Languages : en
Pages : 0
Book Description
(Amadeus). This practical guide is devoted to the important issues of baroque performance practice. Listeners and performers will find the analytical tools they need to understand and interpret period works. Scores for 11 works are included.
Publisher:
ISBN: 9781574670431
Category : Music
Languages : en
Pages : 0
Book Description
(Amadeus). This practical guide is devoted to the important issues of baroque performance practice. Listeners and performers will find the analytical tools they need to understand and interpret period works. Scores for 11 works are included.
Recent Researches in the Music of the Baroque Era
Author: William Lawes
Publisher:
ISBN:
Category : Concertos
Languages : en
Pages : 146
Book Description
Publisher:
ISBN:
Category : Concertos
Languages : en
Pages : 146
Book Description
Source Readings in Music History
Baroque Music Today
Author: Nikolaus Harnoncourt
Publisher: Helm
ISBN:
Category : Music
Languages : en
Pages : 218
Book Description
Publisher: Helm
ISBN:
Category : Music
Languages : en
Pages : 218
Book Description
Music and Power in the Baroque Era
Author: Rudolf Rasch
Publisher: Brepols Publishers
ISBN: 9782503580715
Category : Music
Languages : en
Pages : 0
Book Description
Music always functions in a specific environment and, viewed from the other side, environments use music to confirm and strengthen their identities. Institutions of power have in all times employed music to present themselves to the outside world, alongside other means such as architecture, fine arts, design and fashion. The present volume brings together a number of studies that all deal, in one way or another, with the question of how power was implemented in music in what is called the Baroque Era, roughly the seventeenth century and the first half of the eighteenth. The essays can be grouped under four main headings: court opera, ceremonial music, musicians and miscellaneous studies. Several essays discuss court opera, one of the most conspicuous musical forms with which a monarch could display his power. Music could also accompany festivities and ceremonies of all sorts, of very different kinds of institutions, courtly, civil or ecclesiastical. Not only sovereign rulers could employ music to confirm their power, also lower-ranking powers such as nobility often invested in music in order to gain prestige. Various studies highlight this aspect of music andpower. Finally, there are studies that deal with more general questions, such as the representation of power in Baroque opera, dedications of musical works to royals and other patrons, and the social status of musicians as they are positioned between patrons and public.
Publisher: Brepols Publishers
ISBN: 9782503580715
Category : Music
Languages : en
Pages : 0
Book Description
Music always functions in a specific environment and, viewed from the other side, environments use music to confirm and strengthen their identities. Institutions of power have in all times employed music to present themselves to the outside world, alongside other means such as architecture, fine arts, design and fashion. The present volume brings together a number of studies that all deal, in one way or another, with the question of how power was implemented in music in what is called the Baroque Era, roughly the seventeenth century and the first half of the eighteenth. The essays can be grouped under four main headings: court opera, ceremonial music, musicians and miscellaneous studies. Several essays discuss court opera, one of the most conspicuous musical forms with which a monarch could display his power. Music could also accompany festivities and ceremonies of all sorts, of very different kinds of institutions, courtly, civil or ecclesiastical. Not only sovereign rulers could employ music to confirm their power, also lower-ranking powers such as nobility often invested in music in order to gain prestige. Various studies highlight this aspect of music andpower. Finally, there are studies that deal with more general questions, such as the representation of power in Baroque opera, dedications of musical works to royals and other patrons, and the social status of musicians as they are positioned between patrons and public.
Source Readings in Music History
Discover Music of the Baroque Era
Author: Clive Unger-Hamilton
Publisher: Naxos Audio Books
ISBN: 9781843792345
Category : Music
Languages : en
Pages : 160
Book Description
Free website with music available, to access see page 4.
Publisher: Naxos Audio Books
ISBN: 9781843792345
Category : Music
Languages : en
Pages : 160
Book Description
Free website with music available, to access see page 4.