10 Great Books of Feminist Fiction: Charlotte Perkins Gilman What Diantha Did, Anne Bronte Agnes Grey, Mary Wollstonecraft Maria or The Wrongs of Woman and other. Illustrated PDF Download

Author: Charlotte Perkins Gilman
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages :

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10 Great Books of Feminist Fiction: Charlotte Perkins Gilman The Yellow Wall-Paper Charlotte Perkins Gilman What Diantha Did Charlotte Perkins Gilman The Crux Anne Bronte Agnes Grey Mary Wollstonecraft Maria or The Wrongs of Woman Louisa May Alcott Work: A Story of Experience Mary Hays Memoirs of Emma Courtney Mary E. Bradley Mizora A Prophecy Elizabeth Robins The Convert Jane Webb-Loudon The Mummy! A Tale of the Twenty-Second Century

Author: Charlotte Perkins Gilman
Publisher: The Floating Press
ISBN: 177545021X
Category : Fiction
Languages : en
Pages : 290

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Early feminist author Charlotte Perkins Gilman was a pioneer not only in the realm of women's fiction, but also in a remarkable array of other ventures, including publishing, journalism, sociological research, and social reform advocacy. Like many of her works, including the gripping and oft-anthologized tale "The Yellow Wallpaper," the novel What Diantha Did deals with the challenges facing women in nineteenth-century society. In this novel, the protagonist solves the conflict between women's household duties and the financial imperative to work outside the home by opening a somewhat unusual boarding house.

Author: Mary Wollstonecraft Mary Wollstonecraft Shelley
Publisher:
ISBN: 9781521981207
Category :
Languages : en
Pages : 89

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How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Maria, or the Wrongs of Woman by Mary Wollstonecraft Shelley Maria, or the Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published. Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft's feminist arguments in Rights of Woman, and as autobiographical.

Author: MARY WOLLSTONECRAFT
Publisher: BEYOND BOOKS HUB
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages :

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Book Description
Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work Wollstonecraft's philosophical and gothic novel revolves around the story of woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published. Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft's feminist arguments in Rights of Woman, and as autobiographical.

Author: Charlotte Perkins Gilman
Publisher:
ISBN:
Category :
Languages : en
Pages : 202

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This edition of What Diantha Did makes newly available Charlotte Perkins Gilman's first novel, complete with an in-depth introduction. First published serially in Gilman's magazine The Forerunner in 1909-10, the novel tells the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, restaurant, and hotel. By assigning a cash value to women's "invisible" work, providing a means for the well-being and moral uplift of working girls, and releasing middle-class and leisure-class women from the burden of conventional domestic chores, Diantha proves to her family and community the benefits of professionalized housekeeping.In her introduction to the novel, Charlotte J. Rich highlights Gilman's engagement with such hotly debated Progressive Era issues as the "servant question," the rise of domestic science, and middle-class efforts to protect and aid the working girl. She illuminates the novel's connections to Gilman's other feminist works, including "The Yellow Wall-Paper" and Herland; to her personal life; and to her commitment to women's social and economic freedom. Rich contends that the novel's engagement with class and race makes it particularly significant to the newly complex understanding of Gilman that has emerged in recent scholarship. What Diantha Did provides essential insight into Charlotte Perkins Gilman's important legacy of social thought.

Author: Mary Wollstonecraft
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 76

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Maria; or, The Wrongs of Woman was a novel left uncompleted at the time of Mary Wollstonecraft's death. Perhaps more famous today as the mother of Mary Wollstonecraft Shelley, the author of Frankenstein, before her untimely death, Wollstonecraft was a leading figure of feminist literature. Mostly known for her essays and other works of elegantly crafted polemics decrying the unfair treatment and systematic subjugation of women in British society, Wollstonecraft had also already written one novel-Mary: A Fiction-before commencing on her second attempt. Her husband and even more famous-and infamous-literary light, William Godwin, took it upon himself following his wife's death to complete her work and fashion it for publication. Women authors at the time were primarily famous for gothic works of haunted homes and castles in which the subjugation of women were stripped of common notions of reality and the pervasive element of patriarchal governance. By situating her heroine into a mental hospital at the request of her husband and revealing the true horror facing many women in a society constructed upon stripping of civil rights, Maria; or, The Wrongs of Woman places the underlying horror of gothic fiction within the very real world of feminist empowerment.

Author: Mary Wollstonecraft
Publisher: Read Books Ltd
ISBN: 1528798902
Category : Fiction
Languages : en
Pages : 129

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This radical feminist work is an extraordinary gothic novel exploring themes of gender inequality, social injustice, and the indomitable spirit of a resilient woman. Maria is a courageous and intelligent woman, imprisoned in an insane asylum by her own husband. She defies societal norms and challenges eighteenth-century England's oppressive systems that confine women. As she navigates the labyrinth of patriarchal society, Maria confronts the injustices and abuses that women endure. Mary Wollstonecraft's powerful prose vividly depicts Maria's struggle for autonomy and explores complex social issues, offering a thought-provoking critique of gender roles. This volume is part of the Mothers of the Macabre series, celebrating the gothic horror masterpieces of pioneering women writers who played a pivotal role in shaping and advancing the genre. First published posthumously in 1798, Maria, or, The Wrongs of Woman stands as an influential work of early feminist literature, advocating for women's rights with unwavering conviction.

Author: Mary Wollstonecraft
Publisher: CreateSpace
ISBN: 9781495407154
Category : Social Science
Languages : en
Pages : 124

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Book Description
Maria - Or, The Wrongs of Woman - Radical Feminism - By Mary Wollstonecraft. Maria: or, The Wrongs of Woman is the 18th century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published. Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft's feminist arguments in Rights of Woman, and as autobiographical.

Author: Mary Shelley
Publisher: Xist Publishing
ISBN: 1681951770
Category : Fiction
Languages : en
Pages : 154

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Book Description
Feminism in its infancy“Maria was not permitted to walk in the garden; but sometimes, from her window, she turned her eyes from the gloomy walls, in which she pined life away, on the poor wretches who strayed along the walks, and contemplated the most terrific of ruins — that of a human soul.” - Mary Wollstonecraft, Maria, or The Wrongs of Woman Maria, or The Wrongs of Woman by Mary Wollstonecraft is a feminist novel set in 18th century England, at a time when women were just mere assets to men. Having woken up in the wrong marriage, Maria tries to escape her husbands and instead, she is imprisoned in an asylum. There she meets warden Jemima, a woman abused as a child and fellow inmate Henry Darnford, sane but living a chaotic life. Maria ends up falling in love with Henry preparing us for an open ending with many twists and turns. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes

Author: Mary Wollstonecraft
Publisher:
ISBN:
Category :
Languages : en
Pages : 158

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Book Description
Maria: or, The Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work.[1]Wollstonecraft's philosophical and gothic novel revolves around the story of woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism.