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Author: Stephen Guerra Publisher: Mel Bay Publications ISBN: 1513459376 Category : Music Languages : en Pages : 56
Book Description
Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players—in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos. This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: • Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist. • Biographical and performance notes regarding the selected composers and compositions. • Insightful suggestions for further reading, listening, and study. • Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil’s early flute virtuoso, Patápio Silva. Includes access to online audio.
Author: Stephen Guerra Publisher: Mel Bay Publications ISBN: 1513459376 Category : Music Languages : en Pages : 56
Book Description
Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players—in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos. This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: • Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist. • Biographical and performance notes regarding the selected composers and compositions. • Insightful suggestions for further reading, listening, and study. • Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil’s early flute virtuoso, Patápio Silva. Includes access to online audio.
Author: Jorge Morel Publisher: Mel Bay Publications ISBN: 161065644X Category : Music Languages : en Pages : 49
Book Description
A new collection by Argentine guitar virtuoso and composer Jorge Morel. This collection features solos by three renowned Latin composers plus two original solo guitar compositions by the author/compiler. All works are in the tango/milonga dance form and are presented in notation and tablature. Selections include: Don Agustin Bardi, by Horacio Salgan; Gallo Ciego, by Agustin Bardi; El Choclo, by Angel Villoldo; and Milonga del Viento and Otro Tango; Buenos Aires, by Jorge Morel. A companion CD featuring Mr. Morel's performance of each solo is included.
Author: John Zaradin Publisher: Mel Bay Publications ISBN: 1610655419 Category : Music Languages : en Pages : 57
Book Description
England's John Zaradin is a gifted performer both in jazz and in the field of classic guitar. He is especially knowledgeable in the wide and diverse world of Latin American guitar solo and rhythm styles. This book contains six solos based on the Rumba Rhythm (Mosaico de Rumbas) and six solos in the Bossa-Samba mode (Ambientes Brasileiras). Each solo is scored in both notation and tablature and reflects the vitality, rhythm, and improvisatory nature of this idiom.
Author: Antonio Carlos Jobim Publisher: Mel Bay Publications ISBN: 1609746376 Category : Music Languages : en Pages : 49
Book Description
At last! Here are Paolo Bellinati's long-awaited solo guitar arrangements of 10 of the 12 compositions featured on the Mel Bay Publications DVD, Paulo Bellinati Plays Antonio Carlos Jobim (99725DVD). Written in standard notation only with brief performance notes for each piece, these arrangements would best be approached by the intermediate to advanced classic guitarist.In this collection, masterful Brazilian guitarist Paolo Bellinati has meticulously transcribed his solo guitar arrangements of ten melodies by his beloved countryman and pioneering bossa nova composer, Antonio Carlos Jobim. Bellinati particularly labored over his arrangements of Jobim's instrumental compositions, i.e., songs without lyrics as these "reveal a much more sophisticated Jobim, closer to his favorite classical composers..."The book also contains arrangements of lyrical songs "of a more introspective and romantic character," including "Luiza" which Bellinati regards as "the most beautiful and perfect Brazilian song ever written.The book also includes substantial biographies of both the author/arranger and the composer, plus a notation key illuminating the special techniques needed to effectively render these arrangements- all lending additional insight to the music itself.
Author: David P. Appleby Publisher: Scarecrow Press ISBN: 9780810841499 Category : Biography & Autobiography Languages : en Pages : 236
Book Description
Appleby is a scholar and musician specializing in the music of his native Brazil, and in particular the work of Villa-Lobos. He augments the many biographies and musical analyses of the country's best known composer with insights from his own five decades of performing his music and interviews with his family and friends. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Horace Gerald Danner Publisher: Rowman & Littlefield ISBN: 1442233265 Category : Language Arts & Disciplines Languages : en Pages : 1007
Book Description
Horace G. Danner’s A Thesaurus of English Word Roots is a compendium of the most-used word roots of the English language. As Timothy B. Noone notes in his foreword: “Dr. Danner’s book allows you not only to build up your passive English vocabulary, resulting in word recognition knowledge, but also gives you the rudiments for developing your active English vocabulary, making it possible to infer the meaning of words with which you are not yet acquainted. Your knowledge can now expand and will do so exponentially as your awareness of the roots in English words and your corresponding ability to decode unfamiliar words grows apace. This is the beginning of a fine mental linguistic library: so enjoy!” In A Thesaurus of English Word Roots, all word roots are listed alphabetically, along with the Greek or Latin words from which they derive, together with the roots’ original meanings. If the current meaning of an individual root differs from the original meaning, that is listed in a separate column. In the examples column, the words which contain the root are then listed, starting with their prefixes, for example, dysacousia, hyperacousia. These root-starting terms then are followed by terms where the root falls behind the word, e.g., acouesthesia and acoumeter. These words are followed by words where the root falls in the middle or the end, as in such terms as bradyacusia and odynacusis.. In this manner, A Thesaurus of English Word Roots places the word in as many word families as there are elements in the word. This work will interest linguists and philologists and anyone interested in the etymological aspects of English language.
Author: Mike (COP) Christiansen Publisher: ISBN: 9780786694426 Category : Languages : en Pages : 136
Book Description
Number ten in the Mel Bay/Alfred collaboration contains a collection of beginning to intermediate arrangements for Brazilian Guitar. All tunes included in standard notation and tablature are: 'One Note Samba', 'Meditation', 'Quiet Nights of Quiet Stars', 'Chega de Saudade', 'How Insensitive', 'The Girl from Ipanema', 'A Day in the Life of a Fool', 'The Island', 'So Nice', 'Desafinado', 'A Felicidade', 'Sabia' and 'Gentle Rain'. Tunes arranged by John Zaradin and Mike Christiansen. All tunesincluded on companion online audio in solo and rhythm styles. Includes access to online audio.
Author: Denis Martin Publisher: African Minds ISBN: 1920489827 Category : Music Languages : en Pages : 471
Book Description
For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.
Author: Gullermo Diego Publisher: Mel Bay Publications ISBN: 1619117371 Category : Music Languages : en Pages : 193
Book Description
Contemporary Guitar Composers of the Americas is a unique collection of 51 solo works representing 17 composers from the American continents. This anthology addresses continental guitar music; music from North, Central and South America. It features many composers who have helped to enrich its repertoire, giving rise to a diverse palette of styles, textures, rhythms, moods and melodies. A worthwhile addition to the library of any classical guitarist.
Author: Rob Mackillop Publisher: Mel Bay Publications ISBN: 1610659910 Category : Music Languages : en Pages : 41
Book Description
Gaspar Sanz (1640 –1710) is the most famous baroque-period guitarist. His works are tuneful and memorable, with fiery cross-rhythms and cascading scale passages. He published three books of guitar music.The baroque guitar could be viewed as a close relative of the ukulele. Indeed, the two instruments have much in common. the smaller four-course guitar actually had the same tuning as the ukulele, for example, although it was largely double-strung.Sanz enjoyed playing scales in the campanella style, with the notes of a scale set out on different strings, sonically overlapping slightly in the style of little bells. This is a technique the ukulele excels at, and is used to good effect in these arrangements.Sanz' music for baroque guitar transfers exceptionally well to the uke, as these arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the ukulele, just as the little instrument can bring a freshness to these old but lively pieces.
Author: Stephen Guerra
Author: Stephen Guerra
Author: Jorge Morel
Author: John Zaradin
Author: Antonio Carlos Jobim
Author: David P. Appleby
Author: Horace Gerald Danner
Author: Mike (COP) Christiansen
Author: Denis Martin
Author: Gullermo Diego
Author: Rob Mackillop